This past January, I visited the Big Island of Hawaii in order to photograph lava from the ongoing eruption of Kilauea Volcano. I had intended to fly over there since I moved to Kauai last summer, but settling into my new island life kept getting in the way. Fortunately, I waited until until the right time and was rewarded with several days of incredible viewing of the dramatic “firehose” at the Kamokuna ocean entry. I hiked out to the main lava viewing area with some fellow photographers several days in a row, but on my final day decided to try the famous lava boat and shoot from the water. I had always poo-pooed the boat with its 50 passengers, but am glad that my buddy insisted that we try it. This is one of my favorite images because the lava can clearly be seen dramatically pouring out of the cliff while the steam cloud glows orange in the pre-dawn light. It was the experience of a lifetime.
I photographed this scarlet macaw in flight while visiting Costa Rica for the second time last March. I have not shared any of these images until now due to a lot of things that happened around this time that lead to my family making our decision to move to Kauai. Out of thousands of mediocre to useless images that I shot, this one clearly stood out and is my personal favorite. I visited the Lookout Inn on the remote Osa Peninsula specifically to spend 3 days photographing macaws. These flying scarlet macaws were one of the most difficult subjects that I have ever photographed, mostly due to the intense heat and humidity. Each day, I spent from sunrise to sunset sitting on the deck attached to my room on top of the lodge waiting. This was the best vantage for being at treetop level for when the macaws would suddenly fly past and land on the top branches. I spent hours each day using my room as a blind while sweating to death. When I heard their distant call, I would grab my camera sitting next to me and spring into action. The whole moment only lasted a few seconds during which I tracked the birds with my long lens while furiously firing away.
It has been a year since I last shared any of my new images online. So many changes have taken place since my last post, but most importantly my family moved to Kauai. It has been a wonderful adventure, but not as simple as one might imagine. I won’t go into all the details, so let me just dive in with this delicious sunset from beautiful Lumahai Beach here on the north shore. I photographed this scene a few weeks ago after a long day of cleaning my office. As I often do, I kept checking the visible satellite view all afternoon and finally decided at the last minute to jump in my truck and chase the light. I had not been down to Lumahai for a few months, mostly because the sun sets too far to the south during the winter to shoot. However, now that the sun is setting more northerly again, I thought I would give it a try. I was running late, but have been to this beach many time over the years, so I knew exactly where to set up my tripod just as the light became amazing. This is the big advantage I now have of shooting in my “backyard” and waiting for ideal conditions. I love how the orange clouds lit up beneath the darker high clouds as the ocean waves boiled in the channel in front of me. Aloha.
During my recent visit to Maui to photograph humpback whales, I also put some effort into shooting landscapes. The weather was clear, blue sky for most of my trip, which is great for tourists, but not for landscape photos. I finally got lucky with some epic conditions the night that I took my buddy Patrick Kelley to this beautiful location. I have been to this spot, known as Secret Beach, many times over the years and several times this trip. It is located south of Makena and is a small and popular beach, especially for weddings, so it is always hard to get everyone out of the composition. (I digitally removed a couple that were sitting behind the rocks on the left.) The beautiful sunset light was brief, but dramatic, and I especially like the reflected light in the wet sand. I created this image using my 36MP Sony a7R camera body with a Metabones Canon EF Lens to Sony lens adapter, Canon EF 16-35mm f/4L IS lens, and Singh-Ray 2-stop Hard Graduated Neutral Density filter. I processed the RAW file using Adobe Lightroom and Photoshop CC 2015, and Nik Software’s Color Efex 4‘s White Neutralizer filter.
If anyone has flown on Alaska Airlines this month, you might have seen my polar bear mother and cub image and read my tips for creating better photos in the current issue of Alaska Beyond. The article features several of the Northwest’s top photographers offering advice about photography, so I was honored to be included. I have heard from a several people who have already read it, but I think that no one was more surprised and pleased than my parents when they saw it on their flight to Florida last week. You can read more about this photo here, in case you missed it.
Last week, I returned from my annual pilgrimage to Hawaii to photograph humpback whales. I spent 10 days chartering a boat with my good friends Robin & Stuart Westmorland and our buddy Ken Howard. We have been photographing whales together for over a decade from Hawaii to California up to British Columbia and Alaska. We call ourselves the F***ing Whale Crew. Anyone who has ever spent time around whales can probably appreciate how often we curse them for being uncooperative and unpredictable, thus the name of our small fellowship. Anyway, the wind and the whales were working against us most of this trip, however, we were rewarded with this impressive breach close to the boat on our last day. My buddy Patrick Kelley flew over from Kauai to join us that morning. It was his very first visit to Maui. He had basically been on Maui for about 2 hours before joining us to go out for our final day. After departing the Kihei boat ramp, we encountered a group of whales within 20 minutes. I have been fooled enough times over the years by whales who suddenly breach without my camera being ready, so I advised everyone to get their cameras out. I am pretty fast when I need to be, so my camera was out in a flash, but I am pretty sure that I heard Patrick’s lens click onto his camera body about 1/2 second before this whale suddenly flung itself out of the water. Talk about beginner’s luck. You are welcome PK! Once we calmed down from hooting and hollering at what we had just experienced, we realized how fortunate that we all were able to photograph this breathtaking moment. I created this image using my new Canon 7DmkII and Canon 70-200mm f2.8L IS II lens. I processed the RAW file using Adobe Lightroom CC and Photoshop CC 2015, and Nik Software’s Color Efex 4‘s White Neutralizer filter.
During my November visit to Costa Rica, I began my trip with several days of birding in the San Gerardo de Dota. While my main goal was to photograph a quetzal, I also spent time photographing hummingbirds by the lodge’s feeders. There were often dozens of hummingbirds darting back and forth, sometimes sharing the feeders, but other times heatedly pursuing each other over some imperceptible slight. This is one of my favorite photos of a green violetear hummingbird ruffling its tail feathers. I especially love the detail and iridescent colors in the feathers. I created this image using my Canon EOS 7D Mark II camera body and Canon EF 300mm f/2.8L IS USM II lens. I processed the RAW file using Adobe Lightroom CC and Photoshop CC 2015, and Nik Software’s Color Efex 4‘s White Neutralizer filter.
Two thing that I have always loved about photography and pride myself on is pushing myself to shoot new subjects and learn new techniques. Before I traveled to Costa Rica, I had never photographed frogs and had very limited experience using a flash. My flash knowledge was mostly limited to underwater photography using strobes. This gave me a good starting point as I read my manuals and worked out how to use my flash as a wireless slave with one of my camera bodies before a night-time jungle trek. I proceeded to apply this new found skill to photographing this tiny granular glass frog that I located with the assistance of my guide. The abdominal skin of some glass frogs is translucent with the internal organs sometimes visible, thus their name. I had never even heard of a glass frog until we started finding them, but I was immediately smitten with their cuteness. I created this image using my Canon EOS 7D Mark II camera body, Canon EF 100mm f/2.8 Macro lens, and Canon Speedlite 430EX II flash. I processed the RAW file using Adobe Lightroom CC and Photoshop CC 2015, and Nik Software’s Color Efex 4‘s White Neutralizer filter.
Almost a decade ago, I first considered visiting Costa Rica specifically to photograph the incredibly rare resplendent quetzal. This amazing bird was considered divine by Aztec and Mayan civilizations. The male of the species is especially beautiful with its long, iridescent green tail feathers. I did not end up going on that trip, so my research languished on my computer until I finally visited Costa Rica this past November. The first stop on my trip was the San Gerardo de Dota in order to photograph a quetzal. On my first day, I hired a birding guide who showed me an ideal location to observe them as they foraged for wild avocados in the early morning. I visited this same location three mornings in a row during which I observed several females and males feeding. They were very difficult to photograph, because they were mostly obscured by branches as they perched in the tree. Fortunately, they sat perfectly still while digesting the tree’s fruit for upwards of 20 minutes. This allowed me enough time to move around and position my camera in order to photograph an unobstructed portrait of this brilliant male. I created this image using my Canon EOS 7D Mark II camera body and Canon EF 300mm f/2.8L IS USM II lens + Canon EF 2X III Tele-Extender. I processed the RAW file using Adobe Lightroom CC and Photoshop CC 2015, and Nik Software’s Color Efex 4‘s White Neutralizer filter.
This is my favorite underwater walrus image from my Svalbard sailing expedition last summer with my co-leader Tony Wu. Early in our trip, we encountered walrus resting on iceflows with ideal blue sky conditions that allowed for great underwater visibility. As both the trip leader and inflatable boat driver, I cautiously motored towards a group of walrus to allow my clients to photograph them without disturbing them. Eventually, I delicately approached them and got close enough to extend my underwater polecam out to shoot the most curious animal. I love how he is looking right at the camera and the detail in this image is truly amazing. I created this image using my Canon EOS 5D Mark III camera body and 15mm fisheye lens inside my Aquatech 5DmkIII housing with an Aquatech 8″ dome port and remotely triggered it on the end of my monopod. I processed the RAW file using Adobe Lightroom CC and Photoshop CC 2015, and Nik Software’s Color Efex 4‘s White Neutralizer filter.