The last month, I have been home on Kauai and had a lot of friends and family visiting. It has also been raining constantly, so I have not been attempting to do any photography. I was getting kinda antsy to shoot again, so on Sunday afternoon, I checked the satellite view and gambled that the weather was going to clear just in time for sunset. I threw my photo bag into the backseat of my truck and decided to drive out to Kee Beach for the first time in I-don’t-know-how-long. It was ugly when I arrived. Pouring rain. Lots of wind. Man, what the heck was I thinking? After staring longingly at the gray horizon, I skulked back to my truck, grabbed my towel, and meagerly dried off. Just as I was about to literally throw in the towel and drive home for dinner, I noticed a faint glimmer of sunshine peaking below the clouds. I grabbed my camera gear and walked down the beach in the still pouring rain. I could tell that the light was only going to get better, but the rain still wasn’t letting up. The next few minutes anxiously passed by and the rain finally began to taper off. I pulled out my camera and got everything set up just in time to catch this intense, but very brief lightshow.
I just got back from another exciting week of photographing humpback whales on Maui with my whale watching friends. We had some fantastic encounters with the whales, but also a few days of stormy weather that forced us to return to the boat ramp early or skip boating all together. The upside is that I took advantage of the ugly conditions to do some landscape photography. I have been attempting to photograph this scene for at least 5 years, if not longer. It was a reward to finally have everything come together for this image. I love the dramatic sunset light in the clouds and on the water’s surface as the waves gently wash over the foreground rocks.
I just got back from another epic South Pacific photo adventure. I created this image while visiting Christmas Island, which is spelled Kiritimati in the local Gilbertese language. It is a remote Micronesian island that is part of the Republic of Kiribati. I first learned about Christmas Island on my way back from American Samoa in 2010. It is very highly regarded among salt water fly fisherman due to its shallow lagoons and scrappy bonefish. The purpose of my trip was to fly my DJI Phantom 4 Pro Obsidian quadcopter over its surreal landscape in order to photograph abstract patterns. WOW! The photos that I had envisioned with Google Maps paled in comparison to those that I was able to achieve with my drone. I especially love the strange submerged sand islands and bold colors of the water in this scene.
I photographed this scene while visiting exotic Bora Bora in French Polynesia‘s Society Islands this past December. I have never experienced water that was as turquoise as this. I created this image by flying my new DJI Phantom 4 Pro Obsidian drone over the atoll’s outer reef and waiting for the perfect balance of direct sunlight and clouds. The reason that I was visiting Bora Bora was that I had chartered a sailboat with some friends and my father. I grew up sailing with my family on the Great Lakes, so it was special that my dad was able to join me. I especially like the dappled sunlight below the ocean’s surface and the gentle waves washing over the top of the reef. Ahh, paradise.
While the main purpose of my travel to Mataiva in French Polynesia‘s Tuamotus was to photograph the unique lagoon structure using my drone, I could not resist also photographing more traditional landscapes. This beautiful tropical lagoon is one of the five channels between the motus on the south side of the atoll. I love how the coconut palm leaves lean out over the shoreline and cast shadows on the sand and rocks below. Most of the photos that I am creating in the South Pacific that include stunning turquoise water require me to shoot around mid-day when the sun is high in the sky. This isn’t the time of day that I normally photograph landscapes, but I am learning to appreciate the results.
In December, I photographed French Polynesia for the first time. All I can say is, “WOW!” I have always dreamed of visiting remote islands in the South Pacific and have recently focused my photography ambitions on this area of the world. I began my adventure by flying to Tahiti and then up to the remote atoll of Mataiva in the Tuamotus. My main ambition was to fly my new DJI Phantom 4 Pro Obsidian over the incredible lagoon landscape that I had envisioned using Google Maps. Mataiva’s interior lagoon is composed of decaying coral morphed into linear rocky structures. Some of these coral structures peak above the surface, forming about 70 basins. The varying depths of these basins and the clear water gives the lagoon a blue and green tesselated appearance when viewed from above. I thought that it looked like a landscape photographer’s abstract fantasy. The challenges that I had to overcome to create this image were the strong winds and waiting for clear blue sky, because even the smallest clouds left dark shadows traversing across the scene. Mauruuru and enjoy.
Wow! What an incredible sunrise. These are the famous moai at Ahu Tongariki on Easter Island, also know as Rapa Nui by the original inhabitants or Isla de Pascua in Spanish. I only had to travel 12,000 miles via 4 flights around the eastern Pacific Ocean and then wake up 8 mornings in a row before being rewarded with this dramatic image. Shortly before the first light on the horizon, a cloudburst fell out of the sky which caused most of the tourists to flee back to the parking lot and some even drove back to town. Great! Now I had the statues more to myself. Unlike the delicate tourists, I was prepared with my rain jacket and travel umbrella as the next downpour approached with the intense color illuminating the sky. I kept my camera protected by my umbrella, but would briefly raise it to fire off a few frames before lowering it to wipe off the rain drops and then repeat my process.
Since I first visited Hawaii 17 years ago, I have dreamed about focusing my photography ambitions on the South Pacific. Now that I have settled in on Kauai, I am planning most of my adventures though out this area. I have many remote islands that I plan to visit and eventually publish as a photography book. This trip to Easter Island covers about as far east as I intend to travel. Already this year, I have visited Vanuatu and Fiji, and my past travels have taken me to American Samoa and Tonga. Next up is my first trip to French Polynesia later this month and potentially a trip to Micronesia in early 2018. Wish me luck and please enjoy the images that I am creating along the way.
Today, I was supposed to be flying to Australia for the first time to visit Lord Howe Island. Unfortunately, I broke my left little toe last Friday and can barely walk. So, instead I now find myself at home for a few extra weeks with plenty of neglected work to get caught up on.
One of my humpback whale images from Alaska is published in the current issue of Ranger Rick. My image is the smaller inset in the bottom right. I was delighted to see that my friend and photography tour partner Tony Wu‘s underwater image was the main double page spread. Congrats, Tony! It is admirable that in this current age of everyone being a photographer and the competitive nature of the business that the two of us have worked together so effectively for almost a decade. I look forward to our next 10 years of adventures and friendship.
I recently returned home to the island of Kauai after spending the last month visiting family and friends on “the mainland”. While vacationing with my wife’s family on the East Coast, I spent a few days photographing sharks from Rhode Island. It was a fantastic experience and I might even go so far as to claim that it was my favorite shark trip that I have ever done. Brian was a fantastic host and guide, and though the boat ride left me a little green in the gills each day, I would highly encourage any aspiring shark photographer to book a trip with Pelagic Expeditions.
I had hoped to photograph a mako shark during my 3 days on the water, but only saw one a few fleeting times. Dang, it was fast and my photos unremarkable. Fortunately, there were a lot of curious blue sharks that stayed around the boat and provided me with plenty of photo opportunities. This is one of my favorite images of a blue shark passing incredibly close to my dome port. I need to point out that I was not in a cage, but simply floating on the surface while having the hull of the boat against my back for safety. There were usually 2 or 3 blue sharks swimming around, so it was easy to keep track of them, but by my last dive there were at least a half dozen sharks taking turns at bumping into my camera. I spent about 30 minutes in the water solo before deciding that I had enough of sharks bumping into me.
I have not photographed a lot of people over the years. It is not that I do not know how, it is just that I have only done it for my family and friends since I focus on landscape and wildlife photography. However, during my recent travels to Vanuatu, I had several opportunities to photograph the beautiful people of Tanna Island. I created this slow shutter image on a day when I was invited to attend a traditional ceremony of three tribes gathering to celebrate their young boys entering manhood. It was a beautiful but hot afternoon filled with singing and dancing. I was honored that I was even allowed to celebrate with them, let alone be able to take photos.