I hiked up to the Coleman Glacier on Mount Baker several times over the past month hoping to fly my remote controlled hexacopter. Earlier this week, all the conditions that I had hoped for finally aligned. The clouds suddenly and dramatically parted just as the sun set on the western horizon and there was almost no wind. I only had a few minutes to get in the air above the glacier and photograph this dramatic perspective.
My regular readers are probably aware that over the past year I have been building and flying remote controlled hexacopters in order to create dramatic aerial photos. In this month’s issue of Outdoor Photographer, I share some of my advice from the lessons I have learned from flying a drone capable of lifting a larger camera. The opening images showcase one of my aerial images of Lumahai Beach on Kauai, as well as my previous Canon EOS M camera mounted on my gimbal beneath my Tarot 690S hexacopter. After my crash in early May, I rebuilt using a Tarot 680Pro frame and am now flying a Sony NEX 5 camera body. I hope that readers will enjoy my latest article and find inspiration from what I have have been doing.
I flew my hexacopter almost every day during my recent trip to Kauai, including at Kee Beach my last two sunsets. I have previously photographed the Na Pali Coast from the shoreline rocks on the far right of this image, but this time I flew my copter from the flat heiau hidden just above. Not only was this a perfect landing zone, but I had it all to myself. I find that it is much too distracting and dangerous to fly around people. I lucked out that there was almost no wind and the sun kept poking through the clouds to illuminate the scene. Dappled light underneath dark clouds is my favorite landscape photography situation. I digitally removed the tiny dots of people on the beach and snorkeling in the water, but also kept the original for my editorial clients.
Last year, I resolved to learn to build and fly remote controlled multirotor copters in order to create dramatic landscape images from a unique angle. It took me a little while longer than I had expected, but I am very happy with the types of photos that I am now creating. This aerial view of Makena Beach on Maui is a beautiful example of what is possible by merging this astonishing technology with my creative vision. Sure, I’ve seen aerial images of Makena over the years that were photographed from a small plane, but what is exciting to me is that I did both the flying and the photography myself. My hexacopter was hovering about 300m out and 100m up from where I took off when the setting sun briefly shined underneath the clouds to illuminate the entire scene. This is also my edited version of this photo, because I digitally removed the tiny dots of naked people on Little Beach.
I’ve been back home for a few weeks now and barely flown my hexacopter. The one day that I did fly, I was amazed at how much the cooler weather shortened my battery life, and thus flight times. When I flew over La Perouse Bay on Maui a few weeks ago, I was conservatively reaching 10 minutes each flight. This beautiful lava shoreline and reef image was created by flying over 400m out and 50m up from the parking lot at the end of the road. It takes my hexacopter less than a minute to reach this distance and altitude. I then hover it in place and move it around to experiment with different compositions. I was especially drawn to the X shape of the shoreline surrounded by the turquoise water.
Now that I have been successfully flying my hexacopters during my recent travels, I am trying to move beyond the novelty of flying and back to focusing on creating beautiful images. I am especially excited about returning to my favorite landscape subjects and exploring them from this new perspective. This aerial image of Puu Pehe, or Sweetheart Rock, on the south shore of Lanai is a perfect example of the possibilities that I am achieving. I launched my copter from the top of the cliffs on the left, then flew it approximately 200m out and 25m above the ocean to compose this dramatic scene. When I say compose, I do mean compose. While flying my copter, I am viewing the Live View from my camera via a wireless transmitter on my 5″ LCD screen. Once I decide to hover my copter in a particular location, I then remotely trigger the camera to take a picture. Of course, I am still looking for all of the normal compositional elements that I would if I were using a tripod to take a picture, including wave action, dramatic light, and dynamic clouds.
I just returned from spending a fantastic week in the Bay Area of California. During my visit, I gave 4 presentations about my photography to excited audiences every night from Berkeley to Monterrey. I also finally had the opportunity to meet in person and spend time with many talented and amazing photography friends who I have only known online.
I also brought my remote controlled hexacopters with me in order to do some flying. The above abstract aerial image is from my second attempt at flying over the marshes located in the south Bay near Facebook’s headquarters. I spent one morning last week flying with my friend and acclaimed photographer QT Luong, but realized that I needed to return at low tide. So, on Sunday afternoon I returned with my old college roommate and new friend and gifted photographer Patrick Smith. It was a bit breezy during my second visit, but I got my copter up in the air right at low tide in order to frame up this beautiful composition. I am not yet sure where I am going with this new style of photography, but I am passionate about merging technology and art. To me, it is not just about the cool, gee-whiz factor of building and flying “drones”, but rather using them like any other creative tool to produce extraordinary images.
I just got back from another amazing trip to the Big Island of Hawaii. I was planning to spend most of my trip photographing humpback whales and also flying my remote controlled hexacopter. The whales and the weather mostly conspired against me, but my trip was long enough that I was able to take advantage of a few good days of weather between storms in order to fly my copter. This aerial image of the Kapoho tidepools is a beautiful example of the kind of abstract image that I have envisioned ever since I started flying copters. This intricate lava and coral reef system is located on the south end of the island in the Puna District. The interesting thing about an aerial image like this is that the scene looks better once the sun gets high enough in the sky to flood the terrain in high contrast light. I’m talking about the kind of light that would send a landscape photographer into a long diatribe about it being too harsh and unshootable.
My regular readers, fans, and friends are probably already familiar with my remote control aerial photography ambitions of the last 1/2 year. I’ve had some ups and downs, but if someone would have told me when I started this endeavour that it would require $15,000 and 1000 hours of my time, I would have told them that it was nuts! However, that is exactly what flying has required. At this point, I am fairly confident that my equipment is reliable, so I’ve been flying a lot over the water and treacherous terrain, as this aerial image of Wailua Falls on Kauai can attest. I knew that if I could get my hexacopter up and over to the other side from the tourist viewpoint, that I would be able to photograph this rainbow in the mist at the base of the falls. This was also among the first uses of my new camera gimbal. This still blows my mind every time that I fly my copter and watch how stable my camera’s live view feed is on my video monitor.
In the last 6 months, I have spent a lot of time reconsidering my overall photography ambitions while also healing my back injury. It has not been my most productive 6 months, but I have also been doing this full-time for 13 years now, so I can live with a little bit of ebb and flow to my ambitions. During this downtime, I have invested way too much time and money learning to build and fly remote controlled hexacopters. Call it a drone if you must, but I find this word leads to negative connotations due to the media’s overemphasis on scaring people. I find the new technology fascinating and am excited to explore an entirely new world of possibilities creating images that no one has ever seen before.
This is a recent aerial photo that I created of Kiholo Bay located on the Kohala Coast of the Big Island of Hawaii. I have previously visited this location to create a traditional landscape photo using a tripod, but been unsuccessful. The biggest limitation has been that it just doesn’t look that interesting from shore. So, I decided to explore this beautiful bay from the air. The photo that I envisioned was to show the beautiful turquoise color of the water and the coral reef surrounding the lava island.
My hexacopter is only capable of flying my camera for about 15 minutes at a time, so I used my early flights to scout for a composition. I did this by using the first person view (fpv) offered by using my camera’s Live View and video transmission system which sends the signal down to my remote monitor. Eventually, I determined that I needed to hover in this location about 20m up in the air. I found the color of the water mesmerizing and the shape of the lava island compelling. When I zoom in at 100% resolution, I can also see several sea turtles resting along the shoreline.