Alaska Airlines June 2010 Cover

Alaska Airlines June 2010 Cover

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I am pleased to share my latest publishing accomplishment. My “Paradise Wildflowers” image from Mount Rainier National Park is the June 2010 cover on Alaska Airlines! This is also my 2nd cover with them this year. This picture is my all-time most successful art print and has been licensed numerous times since I created it in 2003. Most of my regular readers will know that I shot all of my landscape images up until last year with a Pentax 67 system. One of the challenges of that system was that I had limited depth-of-field compared to a 35mm system. In order to overcome that limitation, I created this image with Toyo 4×5 view camera, a Rodenstock 65mm large format lens, and a Horseman 6×9 roll film back. (Did I lose you, yet?) With the large format camera, I tilted the lens so that the flowers would be close to the camera while keeping the summit of Mount Rainier in focus. I also used my Singh-Ray Warming Polarizer and 2-stop Hard Graduated Neutral Density filter with Fuji Velvia film. I think that the exposure was about 10 seconds at f32, which is a life-time when waiting for a slight breeze to stop rustling the wildflowers. Now when I photograph flower landscapes like this, I use my Canon 5DmkII with a wide-angle lens with camera settings more like f16, 1/4 second, and 200 ISO. Since this was the first image that I ever took with my 4×5, I was still learning how to use it that morning. I mentioned that I used a 6×9 roll film back. All of my images that I shot were the 6×9 format except for 1 frame that overlapped the frame before it. That image perfectly cropped itself in the camera to 6×7 which is my favorite photo that you see here.  Beginners luck?

Stovepipe Sand Dunes Sunset 4

Stovepipe Sand Dunes Sunset 4

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I haven’t been out shooting this last month, just home editing photos, updating my website, completing submissions, and taking care of my family. I think that a lot of people think that I am always gone, but that is not the case. I spend almost 40% of each year traveling, but that still means that I am in Seattle with my family over 60% of the year. Since I work at home, I don’t leave my neighborhood, let alone my house all that often. I have enjoyed my recent time at home, but I am looking forward to flying to Iceland this weekend and creating incredible images!

Since I don’t have any brand-spanking-new images to share, I decided to post this dramatic sunset image that I created last January in Death Valley National Park. While exploring the sand dunes north of Stovepipe Wells, I was drawn to photograph these delicate mud-sand textures. This was one of those sunsets where nothing exciting happened until 15 minutes after the sun went down and the clouds brilliantly lit up neon pink. I know better than to put away my camera gear while there is still light left in the sky. Dramatic images like this are my reward for sticking out an otherwise unproductive afternoon.

Eureka Sand Dunes Sunset 3

Eureka Sand Dunes Sunset 3

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During my recent trip to Death Valley National Park, I visited the Eureka Dunes. At over 600′ tall, these dunes are the tallest in California. They are located almost 100 miles due north of Furnace Creek, requiring either a 40 mile off-road drive or 160 mile circuitous route around the park to the northwest. After soliciting advice from the park rangers, I decided to try the off-road option since the road was reportedly dry and in good condition. There were a few washboard sections, but nothing as difficult as my previous drives to the Racetrack. When I finally arrived at the dunes, I was impressed by their girth. If you’ve visited the Mesquite Dunes, imagine them piled on top of each other until they blocked out the horizon. I was daunted by their size, but since the sunset was approaching, I grabbed my camera gear and headed straight up. I probably climbed about 2/3 of the way up to the top, but once I surveyed the massive ridge patterns to the north, I went back down and headed towards them. As the sunlight turned golden yellow and the shadows began to elongate, I settled on this image beneath the summit. After the sun sank below the mountains to the west, I hiked for 45 minute back to my truck, and then drove for over 2 hours back to my camping trailer. It was a long day, but worth the effort.

Mesquite Sand Dunes Sunset 3

Mesquite Sand Dunes Sunset 3

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During my recent visit to Death Valley National Park, I created this image Mesquite Sand Dunes Sunset 3. Because they are close to the road, the dunes get a lot of foot traffic and are usually covered in un-photogenic tracks. However, several days of strong wind had blow away any footprints and created razor sharp edges on the dunes. When I began my hike, the wind was still howling. I stood for over an hour in the maelstrom being sand blasted, but the winds ceased 20 minutes before sunset. The conditions serendipitously came together to create this beautiful image. You can watch my iPhone video from this shoot here.

Ibex Dunes Sand Verbena Sunset 1

Ibex Dunes Sand Verbena Sunset 1

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I want to thank California photographer Steve Sieren for camping with me last month in Joshua Tree National Park & for sharing his location advice about photographing desert wildflowers near the Ibex Dunes in Death Valley National Park. Following his advice, I drove 90 miles from where I set up my camp at Furnace Creek down to the southeastern corner of the park where the dunes are located. After a short 4wd excursion from the highway, I parked my truck and hiked for 45 minutes towards the dunes. I’ve been working with a lot of photo tour clients the past few months, so it was refreshing to experience such a fantastic location by myself. The sand verbena was in full bloom so I composed this image and waited for the exquisite light of sunset to capture the moment. If you want to photograph sand dunes without a ton of people & tracks on them, keep the Ibex Dunes in mind.

First Beach Storm Clouds 1

First Beach Storm Clouds 1

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Last weekend I lead 2 clients on an Olympic National Park Photo Tour. The conditions were challenging, but conducive to instruction. Anyone can shoot the sunset at the iconic beach locations, which we did, but my goal was to help them see the world more creatively and refine their composition skills. Four afternoons in the chaos of the rainforest followed by overcast conditions at sunset tested even my proficiency with a camera. I created this dramatic image during one of our sunrise shoots on First Beach. You can see that there was not much of a sunrise, but the ominous rain clouds on the horizon still yielded effective pictures. Whenever I photograph waves, I anticipate them crashing against the shore and then shoot an exposure of 0.5 second or longer as they recede in order to capture their turmoil in a artistically pleasing manner. This involves a lot of trial and error since I do not know how any individual image is going to result, but when reviewing them I look for the same strong lines and overall presence that I photograph in a non-dynamic scene.

Washington State Tourism Ad

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My Reflection Lake Sunrise image is featured prominently in a new Washington State tourism advertisement. This ad will be shown in markets throughout North America during the next year. If you are looking for an exciting travel destination, Washington offers an incredibly diverse experience. It is one of the few places where you can experience islands, beaches, mountains, glaciers, forests, & deserts all during the same trip. I always recommend early September to first time visitors. It has the most reliable dry weather and the summer crowds are gone. Are you ready to experiencewa?

Mormon Point Wildflower Sunrise 2

Mormon Point Wildflower Sunrise 2

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I prefer shooting wildflowers still and sharp rather than a blur in a maelstrom. After waiting patiently for the wind to stop blowing in Death Valley National Park, I was rewarded with this scene (on April 13th) of desert sunflowers and purple phacelia framing the Panamint Range at firstlight. Internet reports heralded an unusually lush bloom this year. This information proved accurate. Anyone who has the opportunity should head to Death Valley this week before the heat dries out the spectacular display.

Popular Photography May 2010 Alaska Article

Popular Photography May 2010 Alaska Article

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I am pleased to announce that my article about using my own boat to photograph Southeast Alaska is in the May issue of Popular Photography! The opening double page image is of a humpback whale swimming along with its mouth open after bubble-feeding. My article features 10 landscape & wildlife images from my last 3 summers in Alaska. I look forward to working with Popular Photography again in the near future.

Coincidentally, it is almost summer, which means it is time for me to photograph Alaska. My summer plans include using my boat for several weeks in May-June to visit Icy Bay on the south side of Wrangell-St Elias National Park and Russell Fjord in the Tongass National Forest. Later in the summer, I will photograph humpback whales, and in August I am shipping it to Whittier where I will base it on Prince William Sound for the next few years. Wish me luck!

Ashford Mill Sunflower Sunrise 1

Ashford Mill Sunflower Sunrise 1

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This is my favorite wildflower image that I have created so far during my visit to Death Valley National Park. I photographed this enormous field of desert sunflowers near Ashford Mill at sunrise on Friday April 9. The interminable wind all weekend has made it impossible for me to shoot this type of big depth-of-field scene since. However, the weather forecast optimistically predicts calm winds after today, so I will here with my fingers crossed for a few more days. The display is especially brilliant between Mormon Point & Ashford Mill. If you still have time to visit this week, you will not be disappointed.