Category: Landscape

Mazama Ridge Fall Colors 1

Mazama Ridge Fall Colors 1

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The most important thing I teach my photography tour clients is how to anticipate a shot. Let’s use my new image of the fall colors on Mazama Ridge as an example of when to shoot. When I was at Mount Rainier National Park last Friday, the sky was clear blue without a single cloud on the horizon. I knew that the best image in these conditions would be when the angle of the sunlight was a few degrees above the horizon and still yellow or orange in color. Experience has taught me where the sun would go down, but I confirmed my guess by using my SunSeeker app on my iPhone. I wanted to shoot this scene as the sunset light settled into the trees and danced across the foliage in front of my camera. The tree shadows added some mystery to an otherwise beautiful but non-dramatic scene. This light only lasted for about 30 seconds before the foliage went into complete shade. I used my Carl Zeiss 35mm f2 ZE lens along with my Singh-Ray LB Warming Polarizer and 2-stop Hard Graduated Neutral Density filter to create this image using only 1 exposure which required minimal processing.

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Picture Lake Fall Reflection 1

Picture Lake Fall Reflection 1

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Last week, I helped 2 photography clients from Mexico City experience and shoot Washington’s fall colors. With all of my travels out of state, I no longer have as much time to shoot when I am home, so it was nice to do some photography in my old stomping grounds in the Cascades. For some reason, every time that I have been out shooting in the last month, I have experienced clear blue skies which has made dramatic light conditions very difficult to find.Of course, there are worse things than driving around in the mountains on sunny days. On the first day of our time together, precipitation clung to the North Cascades as I drove up I-5 to Picture Lake. I thought that our timing would be ideal for photographing fall colors and was not disappointed. As the clouds swirled and briefly parted late in the afternoon, my clients and I were able to photograph Mt Shuksan’s perfect reflection. The sun sets behind a mountain ridge at about 4:30, causing the foreground and trees on the opposite side of the lake to usually become too dark, but on this afternoon the lifting fog helped to soften the harsh shadows. I used my Singh-Ray LB Warming Polarizer slightly backed off from full polarization along with my Singh-Ray 4-stop Soft Graduated Neutral Density filter placed above the foreground foliage to balance the exposure. I also chose to photograph this scene with my Carl Zeiss 35mm f2 ZE lens in order to keep Mt Shuksan from becoming too small in the overall composition while still being able to have enough depth of field at f16 to include the foliage along the shore in the foreground.

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Smith Glacier Crevasse 1

Smith Glacier Crevasse 1

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I created this image during my first incredible but brief voyage on Prince William Sound in Alaska last month. I motored my boat from Whittier to the head of College Fjord for a few days and was blown away but the photographic potential. I anchored in Tuition Cove near the Yale Glacier and used my inflatable to explore the area. One morning, I navigated my way through the iceberg choked fjord to the the Smith Glacier with the ambition of photographing the Harvard Glacier at sunrise. I got skunked on that one, but I was thoroughly enamored with the area so I turned my attention to the intimate landscape details of these crevasses.

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Mt McKinley & Mt Foraker Sunset Aerial 1

Mt McKinley & Mt Foraker Sunset Aerial 1

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During my recent Alaska trip, I was able to see Mt McKinley almost everyday due to the perfect clear weather. To see the mountain even 1 day is very rare, let alone for 10 days straight. My normal landscape images from the ground were just not very exciting, so I hired a small plane 3 times with various friends in order to fly over the Alaska Range at sunset and sunrise. I did not get the sunset image that I was after on my first flight, but I figured out exactly where I wanted to return to shoot on my second flight. I liked this location because I was slightly back from Mt McKinley (left) and Mt Foraker (right) and able to line them up with these repetitive ridges giving the image some depth rather than just a simple mountain portrait.

I created this image while hand-holding my Canon 5DmkII and Carl Zeiss 50mm f1.4 ZE lens with the airplane’s window open so that I could shoot without the glass obstructing my view. My camera body shoots 4fps. If I hold down the shutter release button I get about 12 images before I fill-up the camera’s memory buffer. With my Sandisk 16GB Extreme CF memory cards, I can photograph almost 600 images before my card is full. That comes out to only 2.5 minutes of actual shooting before I fill-up the card! Over the course of almost 3 hours of flying that is a minimal amount of time. There is a lot of teamwork and communication involved between me and the pilot in order for me to create an aerial image like this. Of course, when I am back home I then have to edit 3000 images of the exact same thing looking for minor variations to find the image with which I am happiest.

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Denali Highway Aurora 1

Denali Highway Aurora 1

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I just returned from almost 2 weeks in Alaska and had fabulous weather the entire trip. In fact, it was so nice that shooting conditions were less than ideal because there were no clouds in the sky for landscape or wildlife photography. The few times that there were sunrise/sunset clouds were on the days that I was driving long distances and did not have time to shoot. Fortunately, I made the most of what was available to me and that included photographing a beautiful appearance of the aurora borealis. Some friends of mine in Talkeetna told me the northern lights were out very late one night while I was sleeping, so I checked the aurora forecast the next day on spaceweather.com and decided to stay up that night to shoot. Though I was getting over a cold and exhausted from lousy travel sleep, I drove up the Denali Highway and stayed up until 3 am. Fortunately, the lights made an appearance and were at their best around 1 am. I set my camera on ISO 1600 and used my Carl Zeiss 35mm f2 lens set at f2.8 and 12 seconds to record this image. The aurora was more interesting off to the left of the frame, but I really liked these trees to make the entire composition, rather than just an aurora picture of the sky.

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Mazama Ridge Lupine Sunrise 1

Mazama Ridge Lupine Sunrise 1

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This past Friday, the second in a row, I woke up at 2:30am and drove down to Mount Rainier National Park to photograph wildflowers at sunrise. I have sold a lot of images of Mount Rainier over the years, so it is worth taking the time out of my busy travel schedule to do the quick round trip for just 1 hour of shooting. I parked my car at 5:15am and ran up the trail in about 20 minutes to my favorite flower meadows on Mazama Ridge. I’m always surprised that I never encounter any other photographers up there at sunrise, but I also only visit during the week to avoid the weekend crowds.  For anyone still planning a trip to Rainier, the wildflowers are at their peak, however, I would not describe this year’s bloom as more than ordinary.  I did not encounter any diverse fields of wildflowers and the clouds from the day before had vanished, but I still hoped to create a new unique image. All of my previous well-known photos of wildflowers at Mount Rainier were created using medium and large format film cameras. What a pain in the ass that was. With my large format camera in particular, I had to compose the image using a dark cloth, focusing loupe, and dark ground glass where the image was upside down and reversed, spot meter the scene, stop down to f32, place a Singh-Ray non-LB Warming Polarizer on the lens, position the grad filter correctly, and hope that the wind stopped blowing for a 10-30 second exposure because I was using Fuji Velvia 50 film rated at ISO 25 due to reciprocity failure. Still with me? Let me just state unequivocally that creating this image with my dSLR was a lot easier. I like this picture because of the soft warm light illuminating the lupine in the foreground.

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Reflection Lake Wildflowers 1

Reflection Lake Wildflowers 1

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Pictures don’t get any fresher than this! I woke up at 2:30am today and drove down to Mount Rainier National Park to photograph the wildflowers around Reflection Lake at sunrise. I have always wanted to photograph the mountain and reflection in the lake with rosy spireas in bloom, and today I finally timed it right.  I was surprised by how many photographers were there for a Friday. I have gotten spoiled in Alaska not having to shoot around other people. A slight breeze or surfacing fish occasionally disturbed the reflection, so this is as close to perfect as it got.  I am happy with what I created.

For those of you aspiring to photograph wildflowers at Mount Rainier this summer, I did a quick drive up to Paradise before driving back to Seattle, and can confirm that the wildflowers probably need 1-2 more weeks to peak. There are tons of paintbrush and other wildflowers along the side of the road, but the big fields of lupine are only just starting to bloom. I hope to get back down there late next week before I return to Alaska on August 23rd.

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North Sawyer Glacier 1

North Sawyer Glacier 1

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I have mixed feelings about photographing tidewater glaciers in Alaska. They are beautiful to visit, but I also know they will never be in the same position in my lifetime because of glacial recession due to climate change. During my previous visits to Tracy Arm, it was very difficult and dangerous for me to get close to the North Sawyer Glacier and impossible to approach the South Sawyer Glacier. The lack of floating ice during my recent visit might have been for a variety of reasons, but there is no denying that I would not have been able to stand on this recently exposed granite ledge when it was covered by the glacier a few years ago. After dedicating my last 4 summers to photographing Southeast Alaska, I have adapted my shooting style from always chasing dramatic sunset light to appreciating the subtle colors of the consistent overcast conditions. I was drawn to the red color of this ledge system and the patterns reminded me of Native American rock-art in the Southwest. There was no safe place to land my inflatable, so I had my dad drop me off for a few hours so that I could do my thing. He patiently floated amongst the ice and watched harbor seals until he saw me start waving like a mad-man wanting to get picked up. I wonder what the people on the handful of tour boats thought of the guy in the red jacket and bibs standing on this lonely ledge taking pictures?

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Brotherhood Park Fireweed Sunset 1

Brotherhood Park Fireweed Sunset 1

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WOW! What else can I say about my recent 19 day adventure in Southeast Alaska? WOW! There, I said it again. I experienced my usual ups-and-downs, but overall the trip was incredibly productive. Humpback whales bubble-feeding, tidewater glaciers, harbor seals on ice flows, playful Steller sea lions, fireweed in bloom, and many sunny days in a row. This trip had it all. I am home for barely 3 weeks before returning to Alaska again on August 23 and I am very busy with my family during this time. I am not going to make any progress editing the 6500 images I just created, but will share a few of my new images as time allows.

For those of you unfamiliar with Alaska, this image of the fireweed in bloom at Brotherhood Park in Juneau is one of the most iconic Alaska images. Even though I have regularly visited Juneau the past 4 summers, this photo has eluded me until now.

After cleaning my boat all afternoon on Monday, I decided to try to shoot this scene since the weather was so nice and I was flying standby. The wind was gently rustling the flowers, but I was able to capture a few images without movement by using ISO 400 at 1/10 second. I never would have captured this scene if I was still shooting medium or large format and using Fuji Velvia 50 film at 6+ seconds.

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Brennisteinsalda Steam Vents 6

Brennisteinsalda Steam Vents 6

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During my trip to Iceland, I was enthralled by the dramatic landscape of Landmannalaugar and fortunate that the road had just opened a few days before my visit. Because it was considered early in the season, there were very few people around. I camped for 4 days, with the main challenge being that I slept during the day. I always wonder why anyone would visit the Arctic during the summer and sleep rather than stay up all night. Except for my travel buddy, I had Landmannalaugar all to myself each night from 8pm until 5am. This is another one of my favorite images that I created after hiking up to the Brennisteinsalda steam vents and photographing the dramatic light on Blahnukur.

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