Mt McKinley & Mt Foraker Sunset Aerial 1

Mt McKinley & Mt Foraker Sunset Aerial 1

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During my recent Alaska trip, I was able to see Mt McKinley almost everyday due to the perfect clear weather. To see the mountain even 1 day is very rare, let alone for 10 days straight. My normal landscape images from the ground were just not very exciting, so I hired a small plane 3 times with various friends in order to fly over the Alaska Range at sunset and sunrise. I did not get the sunset image that I was after on my first flight, but I figured out exactly where I wanted to return to shoot on my second flight. I liked this location because I was slightly back from Mt McKinley (left) and Mt Foraker (right) and able to line them up with these repetitive ridges giving the image some depth rather than just a simple mountain portrait.

I created this image while hand-holding my Canon 5DmkII and Carl Zeiss 50mm f1.4 ZE lens with the airplane’s window open so that I could shoot without the glass obstructing my view. My camera body shoots 4fps. If I hold down the shutter release button I get about 12 images before I fill-up the camera’s memory buffer. With my Sandisk 16GB Extreme CF memory cards, I can photograph almost 600 images before my card is full. That comes out to only 2.5 minutes of actual shooting before I fill-up the card! Over the course of almost 3 hours of flying that is a minimal amount of time. There is a lot of teamwork and communication involved between me and the pilot in order for me to create an aerial image like this. Of course, when I am back home I then have to edit 3000 images of the exact same thing looking for minor variations to find the image with which I am happiest.

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Denali Highway Aurora 1

Denali Highway Aurora 1

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I just returned from almost 2 weeks in Alaska and had fabulous weather the entire trip. In fact, it was so nice that shooting conditions were less than ideal because there were no clouds in the sky for landscape or wildlife photography. The few times that there were sunrise/sunset clouds were on the days that I was driving long distances and did not have time to shoot. Fortunately, I made the most of what was available to me and that included photographing a beautiful appearance of the aurora borealis. Some friends of mine in Talkeetna told me the northern lights were out very late one night while I was sleeping, so I checked the aurora forecast the next day on spaceweather.com and decided to stay up that night to shoot. Though I was getting over a cold and exhausted from lousy travel sleep, I drove up the Denali Highway and stayed up until 3 am. Fortunately, the lights made an appearance and were at their best around 1 am. I set my camera on ISO 1600 and used my Carl Zeiss 35mm f2 lens set at f2.8 and 12 seconds to record this image. The aurora was more interesting off to the left of the frame, but I really liked these trees to make the entire composition, rather than just an aurora picture of the sky.

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South Sawyer Glacier Harbor Seal 2

South Sawyer Glacier Harbor Seal 2

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Over the Labor Day weekend, I wrote an article for one of the big photography magazines about how to photograph Alaska’s wildlife. It is scheduled to be published in the upcoming January issue. I want to share an excerpt from the article and a new harbor seal image that I created in Tracy Arm in July. I hope that you look forward to the complete article, but for now, please enjoy this teaser:

Most of the tidewater glaciers in Alaska support communities of harbor seals resting on icebergs, but it is difficult to approach these skittish animals. My best photo opportunities have happened by drifting amongst the icebergs in my inflatable in order to quietly observe the seals.  You will need to have a long lens in order to get in tight. I own the Canon 400mm f4 DO IS lens, which when combined with my 7D becomes a very hand-holdable 640mm equivalent. I prefer my images to be as close to eye-level at the water as possible, so try to get down to the lowest part of the boat. It looks much more intimate from a low angle than when shot down on them from up high. If you are unable to get in close enough for a frame filling shot, look for complimentary iceberg patterns around a seal in order to show it in its environment. Also, remember to over-expose your image at least +1 stop when you are photographing bright subjects like icebergs!

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Humpback Whale Tail 101

Humpback Whale Tail 101

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For marine mammal photographers like myself, photographing whale tails is not that hard to do, but creating a striking image is. This is the only part of the animal that most whale watchers will ever see. It’s not the most dramatic behavior, and certainly nowhere near as photogenic as a full body breach. Over the years, I have taken tens of thousands of whale tail images. I am grateful that I no longer have to spend money on film since most of these images are utterly useless and unworthy of even the 1 second of my time that it takes for me to hit the delete button. Still, every once in a while I photograph a nice tail, like this one. Here’s how the sequence of events needs to work in order to create an image like this. A whale has to surface within a few hundred yards of my boat. It will normally take 3-5 breaths on the surface before diving, which might give me enough time to close the distance on the tail and take up a position behind the whale, not slightly to the left or right, but directly behind it. When the whale begins its dive, there is usually 1 image where the tail is almost at its apex and water is pouring off of it. I am also ever vigilant for a pleasing background, like these snow capped peaks and non-distracting blue mountains in the distance. The entire image has to come together, not just any one part. You can also see other whale photos when you visit my whale photo galleries.

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Humpback Whale Breach 108

Humpback Whale Breach 108

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Another freakin’ humpback whale breaching photo? Well, yes, it is! I normally prefer breaching images at the peak of the whale’s trajectory, because they don’t appear as powerful in the limp-coming back down phase, let alone when the big splash happens. However, what I do like about this image is that it shows the power of the whale’s tail propelling it almost completely out of the water. You can see that there is very little of the whale still connected to the surface. I had to keep moving my inflatable for safety, but I also wanted to keep the whale on the inside of me in order to photograph it against the pretty blue mountains in the distance. See more photos of humpback whales.

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Yasha Island Sea Lions 2

Yasha Island Sea Lions 2

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By now, my regular readers and social networking followers are probably aware that I had engine trouble last week while using my boat on Prince William Sound for the first time. The repair bill is pretty bad, but not as catastrophic as I had initially feared. It’s par for the course in trying to shoot unique images in remote locations. I have not had a trip go sour in almost 2 years, so I can not complain. During my short visit, I was absolutely blown away by the beauty and potential images that I saw in the College Fjord area, let alone the rest of PWS. I hope to go back to Alaska in the next week and maybe even get out on my boat once it is repaired one last time. Either way, I have a lot to look forward to next summer.

Here is a new Steller sea lion image from my July trip to Southeast Alaska. I spent 2 days visiting the Yasha Island pinniped colony. The cacophony of sound plus the overpowering stench of the colony is impossible to share, but at least I created some interesting images that capture the spirit of the place. I used my inflatable boat to drift in the kelp in order to get a low-angle view which best conveys a sense of being in the water next to these curious creatures. Steller sea lions have bulging eyes which make them look like aliens, which really comes across in this image. I think they are even kind of cute. I used my Canon 7D and 400mm f4 DO IS lens to create this photo. This setup is excellent for being able to hand-hold a big lens on the water.

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Mazama Ridge Lupine Sunrise 1

Mazama Ridge Lupine Sunrise 1

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This past Friday, the second in a row, I woke up at 2:30am and drove down to Mount Rainier National Park to photograph wildflowers at sunrise. I have sold a lot of images of Mount Rainier over the years, so it is worth taking the time out of my busy travel schedule to do the quick round trip for just 1 hour of shooting. I parked my car at 5:15am and ran up the trail in about 20 minutes to my favorite flower meadows on Mazama Ridge. I’m always surprised that I never encounter any other photographers up there at sunrise, but I also only visit during the week to avoid the weekend crowds.  For anyone still planning a trip to Rainier, the wildflowers are at their peak, however, I would not describe this year’s bloom as more than ordinary.  I did not encounter any diverse fields of wildflowers and the clouds from the day before had vanished, but I still hoped to create a new unique image. All of my previous well-known photos of wildflowers at Mount Rainier were created using medium and large format film cameras. What a pain in the ass that was. With my large format camera in particular, I had to compose the image using a dark cloth, focusing loupe, and dark ground glass where the image was upside down and reversed, spot meter the scene, stop down to f32, place a Singh-Ray non-LB Warming Polarizer on the lens, position the grad filter correctly, and hope that the wind stopped blowing for a 10-30 second exposure because I was using Fuji Velvia 50 film rated at ISO 25 due to reciprocity failure. Still with me? Let me just state unequivocally that creating this image with my dSLR was a lot easier. I like this picture because of the soft warm light illuminating the lupine in the foreground.

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Humpback Whale Breach 106

Humpback Whale Breach 106

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As I have previously mentioned, I will be editing my new humpback whale breaching images for months to come. This is another graceful breach from the incredibly cooperative whale that I photographed last month in Frederick Sound. This young whale repeatedly displayed its enthusiasm for the warm sun, good eating, close friends, and nearby photographer for almost 2 hours. I could not capture every breach perfectly, but I am pleased with how many of the sequences yielded surprising images.  Take this one for instance. It is not the boldest breach ever, but I like the gentle angle, perfect composition, and delicate twist of water emanating from its pectoral fin. It just looks like a happy whale.

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Yasha Island Sea Lions 1

Yasha Island Sea Lions 1

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After spending 3 days photographing humpback whales bubble-feeding near Angoon, I motored my boat down Chatham Strait to photograph Steller sea lions at Yasha Island. I have been scuba diving with Steller sea lions in British Columbia during the winter, but have never put any effort into photographing them in Southeast Alaska. Their populations are declining in much of their range in Alaska, so I have not wanted to disturb them. Fortunately, some of the juveniles were very curious and approached my boat as they frolicked in the kelp. At one point, I even had one come within a few feet of my inflatable in order to play “let’s-splash-the-photographer”. I know that I shouldn’t have encouraged it, but I just had to splash back. It is difficult to take a decent picture amongst the chaos of a pinniped colony, especially when the light is less than ideal. It is even more difficult to hand-hold my 400mm lens in my inflatable when the current is running. I  wanted to capture a moment from a low perspective when one of the sea lions was barking so that it looked like I was just another sea lion in the daily scrum.

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South Sawyer Glacier Harbor Seal 1

South Sawyer Glacier Harbor Seal 1

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When I visited Tracy Arm a few weeks ago, I was dismayed to see the decrease in ice from my previous visits. My 2007 images of the harbor seals took place near the North Sawyer Glacier which has drastically retreated and is now almost out of the water. In the past, I could not get anywhere near the South Sawyer Glacier, but this time I was able to even though it was calving huge pieces of ice. There were hundreds of harbor seals resting on the ice flows, but they were very skittish, thus difficult to photograph. I have spent enough time photographing wildlife that I am very conservative about approaching any animal. Harbor seals see my red inflatable coming from several hundred yards away and typically decide that they don’t want anything to do with me. Fortunately, I found this one critter that was not disturbed by my presence. In fact, this seal was so unconcerned, that it barely opened its eyes to look at me and repeatedly turned its back so that it could go back to sleep. I really appreciate the moment I captured in this image of the seal blissfully resting in its environment, unconcerned about the guy in the red boat with the big telephoto lens going click-click-click.

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