Outdoor Photographer April 2010 Cover

Outdoor Photographer April 2010 Cover

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My image “Racetrack Sunset” will be the April cover photo of Outdoor Photographer! The Racetrack is a seasonally dry lake located in the northern part of Death Valley National Park and is famous for its moving rocks. With the right combination of rain and wind, the rocks move slowly across the surface of the playa, leaving a track as they go. I photographed this amazing rock at sunset during my first visit to the Racetrack in January 2006. I was enthralled with the unusual arc that it had created as it was moving. This rock was still in the same location during my recent Death Valley National Park Tour.

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Lituya Bay Tufted Puffin

Lituya Bay Tufted Puffin

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This is a cute tufted puffin that I photographed last June in Lituya Bay on the remote outer coast of Glacier Bay National Park in Alaska. During my visit, I used my inflatable boat to explore the sea bird cliffs on the south side of Cenotaph Island. There were thousands of kittiwakes but only a few breeding pairs of tufted puffins. The puffins constantly flew back and forth from the tops of the cliffs down to the water to fish. Through my persistence, I was eventually able to drift close enough to this puffin to take its picture with my 500mm lens. I like the dark green water and pink reflection of the cliffs on the water behind it.

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Torch Bay Sea Otters 6

Torch Bay Sea Otters 6

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Most photographers do not appreciate how difficult it is to photograph sea otters in Southeast Alaska. Plenty of people, myself included, have photographed the approachable sea otters in California, but the “wild” ones in Alaska see you coming from a mile away and want nothing to do with you. This is probably a good thing, since sea otters were previously hunted for their fur almost to the point of extinction. I have watched rafts of hundreds of sea otters in Glacier Bay National Park, near Cape Spencer, and in Frederick Sound, but none of them have allowed me to get close enough for a decent picture, even with a long lens. After being frustrated so often by their elusive nature, I was surprised to find this cooperative mother & baby during my brief visit to Torch Bay last June while returning from my amazing Lituya Bay visit. It was pouring rain, but fortunately I was able to set up my 500mm lens & tripod underneath the rain canopy on the back deck of my 22′ C-Dory while my friend Dominik Modlinksi manned the helm. The mother repeatedly dove to the bottom to catch some food. When she returned to the surface, it was all she could do to grab a bite of her catch before her little one voraciously snatched it away from her. (It was kinda like me trying to eat ice cream around my daughters.) After stealing mom’s food, the baby would climb on top of her for comfort & bonding. It was a beautiful wildlife experience in a unique setting and I am happy that I came away with a few images.

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Backpacker March 2010 Cover

Backpacker Magazine March 2010 Cover

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For the third time this year, one of my images graces the cover of Backpacker magazine. The March 2010 issue’s cover shot is my image “Lago Pehoe Fiery Sunrise”. I also give tips on photographing wide-angle landscape scenes in the article “Shoot Like a Pro” on pages 36-42, and my image “Spray Park Wildflowers 1” is featured on page 37.

In other news, I am currently updating my website to make it is easier to sign up for my photography tours, purchase my fine art prints, and license my images. The overall design is going to stay the same, I just need to simplify access for my customers. I also need to add several new galleries and update my older ones with the new images that I have created during the past 16 months.

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Badwater Sunrise 2

Badwater Sunrise 2

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This is another image that I created during my recent Death Valley National Park Photo Tour. My 3 LA based clients unfortunately missed this photo opportunity because they drove home the day before. My remaining client & I left the Badwater parking lot in the dark an hour before sunrise. We wore our headlamps and hiked towards the center of the salt flats. After 40 minutes, we stumbled upon these salt patterns and set up our cameras to capture the magnificent scene. I like the textures on the salt flats, but I love the puffy sunrise clouds over the mountains.

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Badwater Salt Crust Sunrise 1

Badwater Salt Crust Sunrise 1

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I created this dramatic image on the Badwater salt flats during the 2nd morning of my recent Death Valley National Park Photo Tour. My favorite landscape lighting scenario is the one that you see here, when sunrise light illuminates a mountain range underneath ominous clouds. I could not have asked for anything more. Over the next hour, the light interacted with the clouds giving me some very different images, but this early one is my favorite. On my way to Death Valley, California photographer G Dan Mitchell was kind enough to send me a Facebook comment about looking for nice salt crust patterns around the first corner south of the Badwater parking lot. I’m not sure if I found the exact spot that he was referring to, but I probably would not have parked in that area and walked the short distance from the road to these bizarre salt crust eruptions without his recommendation. As the sunrise began, I was mostly walking back & forth answering my 4 clients questions, but I still managed to briefly set up my camera to capture the wondrous scene unfolding before me.

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Place of Refuge Sunset 2

Place of Refuge Sunset 2

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This is my favorite (and 1 of my only!) landscape images from my recent trip to Hawaii’s Big Island.  I was fortunate to photograph this amazing sunset early in my trip during one of the few vog free days.  I created it near Pu’uhonau o Honaunau (Place of Refuge) National Park, which is just south of Capt Cook.  The park is one of my favorite places near Kona to spend the day snorkeling, hiking, & exploring.  It has a long history & powerful spiritual presence.  In ancient Hawaii, kapu (laws) governed every aspect of Hawaiian society.  If  you violated a kapu, the penalty was death.  Your only option for survival was to elude your pursuers and reach the nearest puuhonua, or place of refuge, where you would be safe.  Fortunately, I was not on the run from anyone, but I did have to quickly set up my camera to capture these brilliant clouds before the sun dropped below the tropical horizon.

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Place of Refuge Wave 1

Place of Refuge Wave 1

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Yesterday was my last day in Hawaii. Overall, the trip was exciting and adventurous, yet the photo opportunities were limited. The volcanic haze (vog) foiled almost every sunset landscape image that I tried to shoot. I also went boating 4 days to try and shoot some underwater wildlife. Even though I encountered spinner dolphins, pilot whales, and oceanic white tip sharks, none of them came close enough to me in the water to capture a publishable image. I always say that you better enjoy the boat ride when you are looking for pelagic critters. The chances of finding them are few and far between, yet when you do, it is an incredible experience.

I lucked into this image yesterday morning while snorkeling near the Place of Refuge. My flight home was not until the afternoon, so I decided to go for one last swim. Almost immediately, I found some green sea turtles feeding underwater, but soon turned my attention to a large school of yellow tangs that were moving back and forth in the wave surge. I noticed how dramatic the waves appeared in the background of my useless fish photos, so I turned my attention to capturing the drama of the large waves breaking over the coral reef. After some trial and error, I got my timing down for when I should dive underneath the surface and how to angle my camera up to shoot as the waves boiled over the reef. Of course right after the waves hit me, I felt like I was on the inside of a washing machine! It was challenging, but I had a lot of fun shooting something different.

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Torres Dramatic Sunrise 1

2009 Nature’s Best International Photography Awards

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I am excited to announce that my image “Torres Dramatic Sunrise” will be a Highly Honored Landscape in the 2009 Nature’s Best Windland Smith Rice International Photography Awards!  I created this image 2 years ago while backpacking in Torres Del Paine National Park in Chile.  Most trekkers who have visited this location have done so while multi-day trekking and usually only spend 1 night before moving on.  However, my only goal during my visit was to photograph the Torres in epic light, so I spent 5 days/4 nights camping in the same location so that I could photograph the spires each day.  My last morning was the most dramatic.  You can read more about it in my previous post on the Singh-Ray filters blog.

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Crystalline Hills Tundra Pond 2

Crystalline Hills Tundra Pond 2

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While I was visiting Wrangell-St Elias National Park last month, a rainbow briefly appeared above this beautiful tundra pond. It is one of my favorite images from the trip. I am always on the lookout for dramatic weather, clouds, & sun-breaks. I also scout a location in advance so that I can anticipate an image like this. Most of the time I get skunked, but occasionally all the right conditions come together and I capture an amazing image.

When photographing rainbows, the biggest challenge I have found is keeping my lens & filters water drop free. I keep my camera put away or covered until it is worth risking the exposure to the rain. I usually get 1-3 images before the water drops become noticeable and ruin the picture.  At this point if it is still raining it is impossible to dry everything off to continue. My other trick for photographing wide-angle rainbow landscapes is to anti-polarize the light and use a 3-stop soft graduated neutral density filter. A rainbow is polarized light, so I can either make it totally disappear or make it really pop by rotating the polarizer. The grad filter helps balance the overall exposure. I have used this set up many time and it always works.

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