I am not sure where to begin. This past week, I flew to the Big Island to help out some friends, and also to photograph the eruption in Leilani Estates. Pele’s display is an unfolding tragedy for the people of Puna. As such, I did not want to get in their way. However, once I was invited to join my Kona friends CJ Kale and Doug Perrine, I decided to go. Our plan was to get into the evacuation zone and assist Shane Turpin (who owns the lava boat) evacuate his homes and shop on Pohoiki Road. We spent 3 days packing and removing his stuff, all while lava slowly crept towards us like a slow motion train wreck. On our first night, we visited several lava fissures. These were erupting like fountains less than 1/2 mile away at the end of the road. I photographed this beautiful scene in the midst of the disaster. Sadly, the lava engulfed his properties the day after I left.
During my recent trip to Lord Howe Island, I flew my quadcopter from a dive boat in order to photograph Ball’s Pyramid. It is an erosional remnant of a shield volcano that formed about 6.4 million years ago and the tallest sea stack in the world at 1,844ft (562m). It lies 12 miles (20km) southeast of Lord Howe Island, thus requiring a boat or airplane in order to visit it. While planning my adventure, I had contacted Pro Dive Lord Howe Island and arranged to join their scuba diving trip whenever the weather allowed. Unfortunately, the day that we set out was terribly cloudy and overcast. I did not even bring my dive gear, since I preferred to photograph from the air rather than underwater. I was resigned to not creating a photo and living with the mental image of at least seeing this immense and forbidding monolith. However, Aaron from Pro Dive wanted me to get my shot and went way out of his way to generously offer to take me back on a private trip the next afternoon. Let’s do it! After our 2pm departure and long boat ride in heavy seas, I did not have a lot of time left to fly. Still, I was able to fly one long and one short flight before we had to turn around and hightail it back to Lord Howe before dark. This is my favorite image with the clear blue sky above and beautiful late afternoon light illuminating Ball’s Pyramid. Wow, just wow.
While visiting Lord Howe Island, I became particularly enamored with the mountains towering above the south end of the island. Every afternoon, I rode my bicycle from town past the airport in order to explore the rugged shoreline for compositions. I had intentionally planned my visit for their winter in anticipation of the angle of the sunset being furthest to the north. I had hoped that this angle would illuminate the peaks to the maximum extend possible. For all of my planning and effort, I was rewarded with this intense and dramatic sunset. I love how the dramatic clouds were anchored to the summits as the orange light flooded the entire scene below.
I recently traveled to Australia for the first time in order to visit remote Lord Howe Island. I had a wonderful adventure, though, it was starting to be their winter, so the weather was not as tropical as I would have preferred. I first saw some pictures of Lord Howe Island over a decade ago and have dreamed of photographing it for my South Pacific project ever since. I had originally booked a trip for last September, but had to reschedule after I broke my left small toe a few days before my departure. Fortunately, it was well worth the wait! The island is barely 6 miles long and features the southermost barrier coral reef in the world. It is listed as a UNESCO World Heritage site and only allows a maximum of 400 visitors at a time. To explore it, I rented a bicycle and did a lot of hiking in the hills on the north end. One morning, I even flew my quadcopter from the top of these cliffs in order to create this beautiful aerial image. I love the direct overhead light illuminating the turquoise water of the lagoon with the clouds above Mount Lidgbird and Mount Gower in the distance.
The last month, I have been home on Kauai and had a lot of friends and family visiting. It has also been raining constantly, so I have not been attempting to do any photography. I was getting kinda antsy to shoot again, so on Sunday afternoon, I checked the satellite view and gambled that the weather was going to clear just in time for sunset. I threw my photo bag into the backseat of my truck and decided to drive out to Kee Beach for the first time in I-don’t-know-how-long. It was ugly when I arrived. Pouring rain. Lots of wind. Man, what the heck was I thinking? After staring longingly at the gray horizon, I skulked back to my truck, grabbed my towel, and meagerly dried off. Just as I was about to literally throw in the towel and drive home for dinner, I noticed a faint glimmer of sunshine peaking below the clouds. I grabbed my camera gear and walked down the beach in the still pouring rain. I could tell that the light was only going to get better, but the rain still wasn’t letting up. The next few minutes anxiously passed by and the rain finally began to taper off. I pulled out my camera and got everything set up just in time to catch this intense, but very brief lightshow.
I just got back from another exciting week of photographing humpback whales on Maui with my whale watching friends. We had some fantastic encounters with the whales, but also a few days of stormy weather that forced us to return to the boat ramp early or skip boating all together. The upside is that I took advantage of the ugly conditions to do some landscape photography. I have been attempting to photograph this scene for at least 5 years, if not longer. It was a reward to finally have everything come together for this image. I love the dramatic sunset light in the clouds and on the water’s surface as the waves gently wash over the foreground rocks.
I just got back from another epic South Pacific photo adventure. I created this image while visiting Christmas Island, which is spelled Kiritimati in the local Gilbertese language. It is a remote Micronesian island that is part of the Republic of Kiribati. I first learned about Christmas Island on my way back from American Samoa in 2010. It is very highly regarded among salt water fly fisherman due to its shallow lagoons and scrappy bonefish. The purpose of my trip was to fly my DJI Phantom 4 Pro Obsidian quadcopter over its surreal landscape in order to photograph abstract patterns. WOW! The photos that I had envisioned with Google Maps paled in comparison to those that I was able to achieve with my drone. I especially love the strange submerged sand islands and bold colors of the water in this scene.
I photographed this scene while visiting exotic Bora Bora in French Polynesia‘s Society Islands this past December. I have never experienced water that was as turquoise as this. I created this image by flying my new DJI Phantom 4 Pro Obsidian drone over the atoll’s outer reef and waiting for the perfect balance of direct sunlight and clouds. The reason that I was visiting Bora Bora was that I had chartered a sailboat with some friends and my father. I grew up sailing with my family on the Great Lakes, so it was special that my dad was able to join me. I especially like the dappled sunlight below the ocean’s surface and the gentle waves washing over the top of the reef. Ahh, paradise.
While the main purpose of my travel to Mataiva in French Polynesia‘s Tuamotus was to photograph the unique lagoon structure using my drone, I could not resist also photographing more traditional landscapes. This beautiful tropical lagoon is one of the five channels between the motus on the south side of the atoll. I love how the coconut palm leaves lean out over the shoreline and cast shadows on the sand and rocks below. Most of the photos that I am creating in the South Pacific that include stunning turquoise water require me to shoot around mid-day when the sun is high in the sky. This isn’t the time of day that I normally photograph landscapes, but I am learning to appreciate the results.
In December, I photographed French Polynesia for the first time. All I can say is, “WOW!” I have always dreamed of visiting remote islands in the South Pacific and have recently focused my photography ambitions on this area of the world. I began my adventure by flying to Tahiti and then up to the remote atoll of Mataiva in the Tuamotus. My main ambition was to fly my new DJI Phantom 4 Pro Obsidian over the incredible lagoon landscape that I had envisioned using Google Maps. Mataiva’s interior lagoon is composed of decaying coral morphed into linear rocky structures. Some of these coral structures peak above the surface, forming about 70 basins. The varying depths of these basins and the clear water gives the lagoon a blue and green tesselated appearance when viewed from above. I thought that it looked like a landscape photographer’s abstract fantasy. The challenges that I had to overcome to create this image were the strong winds and waiting for clear blue sky, because even the smallest clouds left dark shadows traversing across the scene. Mauruuru and enjoy.