During my November visit to Costa Rica, I began my trip with several days of birding in the San Gerardo de Dota. While my main goal was to photograph a quetzal, I also spent time photographing hummingbirds by the lodge’s feeders. There were often dozens of hummingbirds darting back and forth, sometimes sharing the feeders, but other times heatedly pursuing each other over some imperceptible slight. This is one of my favorite photos of a green violetear hummingbird ruffling its tail feathers. I especially love the detail and iridescent colors in the feathers. I created this image using my Canon EOS 7D Mark II camera body and Canon EF 300mm f/2.8L IS USM II lens. I processed the RAW file using Adobe Lightroom CC and Photoshop CC 2015, and Nik Software’s Color Efex 4‘s White Neutralizer filter.
Two thing that I have always loved about photography and pride myself on is pushing myself to shoot new subjects and learn new techniques. Before I traveled to Costa Rica, I had never photographed frogs and had very limited experience using a flash. My flash knowledge was mostly limited to underwater photography using strobes. This gave me a good starting point as I read my manuals and worked out how to use my flash as a wireless slave with one of my camera bodies before a night-time jungle trek. I proceeded to apply this new found skill to photographing this tiny granular glass frog that I located with the assistance of my guide. The abdominal skin of some glass frogs is translucent with the internal organs sometimes visible, thus their name. I had never even heard of a glass frog until we started finding them, but I was immediately smitten with their cuteness. I created this image using my Canon EOS 7D Mark II camera body, Canon EF 100mm f/2.8 Macro lens, and Canon Speedlite 430EX II flash. I processed the RAW file using Adobe Lightroom CC and Photoshop CC 2015, and Nik Software’s Color Efex 4‘s White Neutralizer filter.
Almost a decade ago, I first considered visiting Costa Rica specifically to photograph the incredibly rare resplendent quetzal. This amazing bird was considered divine by Aztec and Mayan civilizations. The male of the species is especially beautiful with its long, iridescent green tail feathers. I did not end up going on that trip, so my research languished on my computer until I finally visited Costa Rica this past November. The first stop on my trip was the San Gerardo de Dota in order to photograph a quetzal. On my first day, I hired a birding guide who showed me an ideal location to observe them as they foraged for wild avocados in the early morning. I visited this same location three mornings in a row during which I observed several females and males feeding. They were very difficult to photograph, because they were mostly obscured by branches as they perched in the tree. Fortunately, they sat perfectly still while digesting the tree’s fruit for upwards of 20 minutes. This allowed me enough time to move around and position my camera in order to photograph an unobstructed portrait of this brilliant male. I created this image using my Canon EOS 7D Mark II camera body and Canon EF 300mm f/2.8L IS USM II lens + Canon EF 2X III Tele-Extender. I processed the RAW file using Adobe Lightroom CC and Photoshop CC 2015, and Nik Software’s Color Efex 4‘s White Neutralizer filter.
This past November, I traveled to Costa Rica for the first time. My main ambition was to explore a few different locations in order to photograph wildlife, but I also brought along one of my drones to shoot aerials. One of my first stops was the wild and remote Osa Peninsula which is home to Corcovado National Park. Often labeled one of the world’s most biodiverse regions, its wildlife includes scarlet macaws, tapirs, jaguars and squirrel monkeys. I saw a lot of amazing wildlife, but I only nibbled at the edge of the park. I rented a place close to Puerto Jimenz, but drove all the way to the end of the dirt road to Carate Beach one afternoon. This quiet and isolated setting had the Pacific Ocean on one side and impenetrable jungle on the other. The only way to really photograph it was from the air. I created this image while flying my Sony a5000 camera and Sony 16mm f2.8 lens on my custom-built 550 quadcopter. I processed the RAW file using Adobe Lightroom CC and Photoshop CC 2015, and Nik Software’s Color Efex 4‘s White Neutralizer filter.