Hartney Bay Sandpipers 32

Hartney Bay Sandpipers 32

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This is another image from my visit to Cordova, Alaska last month. The focus of my trip was photographing the shorebird migration that takes place each spring along the Copper River delta. Naively, I anticipated millions of shorebirds, but I never saw more than perhaps 10,000 all at once. This was still a spectacular sight to photograph, and how many birds did I really need? The best time to photograph the shorebirds was at high tide, which fortunately corresponded with sunrise and sunset that week. I was also lucky that the sky was clear so that I was able to take advantage of the golden light. This is one of my favorite pictures of the birds in flight. I created this image with my Canon 7D and 400mm f4 DO IS lens plus 1.4X tele-converter. I slightly cropped the original image to make a stronger composition, otherwise, it required minimal processing using Aperture 3 and Photoshop CS5.

Columbia Glacier Sea Otters 1

Columbia Glacier Sea Otters 1

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While visiting the Columbia Glacier last month, I spent a lot of time photographing sea otters, or should I say, trying to photograph sea otters. They are very shy creatures, and difficult to approach. I had a Canon 500mm f4 IS lens with me, but that lens is way too heavy to hand-hold while motoring around in my inflatable all day. Fortunately, I also had my trusted Canon 400mm f4 DO IS lens, which is much lighter. When combined with my Canon 7D and 1.4X tele-converter, this set up becomes the equivalent of a 900mm lens. I prefer marine mammal images that are photographed from as close to the water as possible. This yields a much better sense of location plus a softer background than images that are taken from higher up on larger boats. This mother and pup kept an eye on me the entire time, which gave me the eye contact that I prefer when photographing wildlife. Keep in mind that I was piloting my inflatable with my other hand while also trying to compose this picture. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

In case you missed it, please check out my sea otter article from this trip that were recently published in the UK’s Daily Mail.

Columbia Glacier Sea Otter 1

Columbia Glacier Sea Otter 1

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I have spent a lot of time photographing sea otters in Alaska and California. Most of the time they are quite skittish, if not outright impossible to photograph. However, they can be adorable when they allow me to get close enough to take their picture. One of the unique things about the sea otters of Prince William Sound is that they frequently haul out to rest on the icebergs calved off of the tidewater glaciers. I had never seen this behavior before, so I was excited to have the opportunity to photograph them resting on the ice during my visit to the Columbia Glacier. Even while using my big lens, I still need to get pretty close to create an image. Most of the time they see me coming in my inflatable from 1/4 mile away and dive. I was getting sick of sea otters after many days of this type of frustration. Fortunately, my effort finally paid off when I photographed this large male who was more concerned about his nap than my inflatable with 3 photographers approaching him. When he finally sat up to take a look at us, not only did he look straight into my lens, but I also like how he placed his paws on the ice. I created this image by hand-holding my Canon 7D and 400mm f4 DO IS lens while also carefully navigating my 12′ inflatable through the ice. This image is a single-exposure which was slightly cropped and required minimal processing using Aperture 3 and Photoshop CS5.

Porcupine in Tree 1

Porcupine in Tree 1

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While visiting the Childs Glacier near Cordova, the VW van that Steve and I borrowed got a flat tire. In addition, the light was murky, so we did not get any sunrise pictures of the glacier. After we changed the tire and began driving back to town we encountered a porcupine foraging in the forest. Steve launched out of the van to photograph it so fast that he forgot to put on his Xtratufs. However, after looking at the bog he was immersed in, I methodically put on my boots rather than suffer cold, wet feet. The porcupine took one look at us with our big lenses and headed for the top of a small tree. It initially turned its back to us and raised its quills, which didn’t make a very good image, but eventually relaxed enough to make a few nice portraits. To create this image, I lined up the porcupine with some trees in the background that made for a nice out-of-focus background. I patiently waited until it turned towards me so that I could see its eyes. I created this image with my Canon 7D and 400mm f4 DO IS lens. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

Hartney Bay Sandpipers 2

Hartney Bay Sandpipers 2

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While visiting Cordova, I saw flocks of several thousand shorebirds, but never the millions that I had read about. If there were millions, they were spread out over the entire Copper River delta region. The shorebirds that I saw were scattered all over the mudflats of Hartney Bay which made photographing them difficult. The best opportunities to photograph them was when they grouped together at high-tide. During the week of my visit, high-tide luckily corresponded with sunrise and sunset. There were also no clouds just clear sky, so I was able to take advantage of the good light. In this image, I positioned myself on the sunlit side of the birds and added some color by including the reflection of the blue sky in the mud. I was attracted to the repetitive patterns of the resting shorebirds, but even when they were resting many of them still moved around. I created this image by hand-holding my Canon 7D and 400mm f4 DO IS lens with my 1.4X tele-converter. Depth-of-field was a real challenge, so I stopped my lens down to f18 and chose ISO 400 to give me a reasonable shutter speed for hand-holding my camera. This image required minimal processing using Aperture 3 and Photoshop CS5.

Popular Photography June 2011 Whale Article

Popular Photography June 2011 Whale Article

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Check out my latest feature in the June issue of Popular Photography! My article is about photographing cetaceans, otherwise known as whales. They are my favorite photographic subject and I’ve routinely stated over the years that if I could only photograph one thing that it would be whales. My article gives advice on how to photograph them, what lenses to use, and where some of the best places are to find whales. I also share how much patience is required for whale photography. In case it’s not obvious, they spend their lives underwater, so not only is it difficult to catch a glimpse of them, it is even harder to photograph them. I have been very fortunate to accumulate many months of time with them in the last decade. You can read more about the image in the double page opener in my blog post from 2010. Also, If you’ve ever wanted to photograph whales, I am co-leading a tour with Tony Wu to photograph humpback whales in Southeast Alaska and Tonga in 2012.

Hartney Bay Sandpipers 1

Hartney Bay Sandpipers 1

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ALASKA!!! That sums up my feelings about my recent trip north. I began my trip by teaching some classes in Anchorage and Fairbanks, but then my friend and fellow photographer Steve Kazlowski joined me for a week photographing the Copper River shorebird migration near Cordova. It was the first time that either of us had been to Cordova. I was prepared for a week of terrible weather based on what I’ve heard, so imagine my surprise when the sky was clear the entire week! Not only was the weather perfect, but high-tide (when the shorebirds were best photographed) actually corresponded with the prime light of sunrise and sunset. I could not believe our fortune, since neither of us did any research before our trip. It was very difficult to photograph the flocks of mostly Western sandpipers, but this is one of my favorite images. I like how the shorebirds are landing towards me and a few of them are in sharp focus amongst the chaos. I created this image with my Canon 7D and 500mm f4 IS lens (which Canon Professional Services was kind enough to loan me). I slightly cropped the original image to make a stronger composition, otherwise, it required minimal processing using Aperture 3 and Photoshop CS5.

Humpback Whale Breach 103

Humpback Whale Photography Tour

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I’m teaming up with renowned underwater photographer Tony Wu to offer the ULTIMATE humpback whale photography adventure in 2012. The first half of our tour will begin in Southeast Alaska, where I have spent 5 years photographing humpback whales, followed by a two week break, and then finishing in the Kingdom of Tonga, where Tony has spent over 10 years photographing humpbacks. This is a unique, immersive experience to witness and photograph a wide range of humpback whale behaviors in two hemispheres.

Starting in Juneau, Alaska, we will use our expedition yacht and inflatable boats to photograph northern hemisphere humpback whales bubble-net feeding, breaching, and other behaviors. After our short break, we will regroup in Tonga for in-water encounters with southern hemisphere humpbacks where we’ll be looking for mothers with babies, singers, heat runs, mating, and other calving-related activities. Seeing the whales with your own eyes beats watching a TV documentary!

This trip is for a small, exclusive group of 6 guests who will be able to travel to both locations with guides Jon Cornforth and Tony Wu to photograph a wide range of humpback whale behaviors. Our core idea is to share a once-in-a-lifetime experience with the same 6 guests in order to provide the most comprehensive humpback whale photography opportunities. If someone is interested in only one part of this combined trip, we will automatically put them on our waitlist, but we will only fill single slots after we have prioritized spaces for guests interested in both trips.

For more information, please visit my Humpback Whale Photography Tour page.

Barter Island Polar Bears 8

Polar Bear Photography Tour

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This fall, renowned wildlife photographer Steve Kazlowski and I will be leading a polar bear photography tour in Arctic Alaska. Steve has been successfully photographing polar bears in this location for the past 13 years. His images have been published by Time and National Geographic and he is the author of The Last Polar Bear: Facing the Truth of a Warming World.

We will spend 3.5 days photographing polar bears during each of our tours. We will use locally-rented trucks to photograph the bears and there will be an optional boat adventure available working with local guides. We will have a maximum of 3 guests per vehicle. Our small group size will allow us to observe the bears and remain highly mobile. Plus, Steve & I will be able to provide personal photography advice that is impossible in larger tour groups. Our goal will be to photograph classic polar bear portraits and behaviors. At night, we will continue to photograph polar bears, but there is a possibility that we will also photograph the aurora borealis. This is an exciting trip that will allow the discerning photographer an incredible opportunity to photograph polar bears in Alaska.

For more information, please visit my Polar Bear Photography Tour page.

Skunk Anemonefish 1

Skunk Anemonefish 1

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What else needs to be said about clownfish, other than they are iconic and adorable? There are also many different types of clownfish, like this skunk anemonefish. As my regular readers can probably tell, I had a plethora of photographic opportunities while scuba diving during my visit to the Misool Ecoresort. This yellow anemone was aesthetically appealing to me and the skunk anemonefish was less agitated than most of the false clown anemonefish that I photographed. Heck, this one even has a slightly less dour frown on its face. Do I even sense a smile because it knew that I was going to make it famous? I created this image using my Canon 5DmkII and 100mm f2.8 macro lens in my Ikelite 5DmkII housing with dual Ikelite DS160 strobes set on TTL. This image required minimal processing using Aperture 3 and Photoshop CS5.