False Clown Anemonefish 1

False Clown Anemonefish 1

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WOW! That is a very short summary of my recent trip to the Misool Ecoresort in Raja Ampat, Papua, Indonesia. I am still getting over my jetlag, but starting to process my new images. I shot a variety of subjects from wide-angle soft coral underwater landscapes to above water remote beach sunsets, but some of my favorite images are of the anemonefish. I have wanted to photograph them ever since I first saw them underwater during my visit to Indonesia in 2000 and later while watching “Finding Nemo” hundreds of times with my daughters. It took me a few years, but I finally had the opportunity during this trip. These fish are constantly darting around in an agitated state while having a cute expression on their face, which makes them very frustrating to photograph. I spent 20-30 minutes patiently waiting for this clownfish to move into the most aesthetic position, all the while I photographed a hundred or more pictures that required immediate deletion. This image resonates with me for the head-on pouty expression on the clownfish’s face as well as the symmetry of the color and texture of the anemome around it. I created this image using my Canon 5DmkII and 100mm f2.8 macro lens in my Ikelite 5DmkII housing with dual Ikelite DS160 strobes set on TTL. This image required minimal processing using Aperture 3 and Photoshop CS5.

Natures Best Fall 2010 Cover

Nature’s Best Fall/Winter 2010 Cover

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I have consistently been part of the Nature’s Best Photography Awards the last 7 years, but each year the photography is more amazing and the competition more difficult. I am honored to have even one image accepted and especially pleased that this year it was one of my underwater images. I love photographing dramatic landscapes, but I am equally excited by underwater and wildlife photography.

My underwater portrait of a Steller sea lion had an excellent 2010. Last summer, it received 2nd Place in the 2010 International Conservation Photography Awards in the Underwater Category and was featured on the promotional poster for the event. The poster was highly visible around Seattle all summer and even made a cameo appearance in an episode of Grey’s Anatomy. This image is currently Highly Honored in the Underwater Category in the 2010 Nature’s Best Windland Smith Rice International Awards and is one of 6 images featured on the cover of the current issue. I’ve also been told that it will be displayed in the Smithsonian Natural History Museum.

I created this image with my Canon 5D and Canon 17-40mm f4 lens with a +2 diopter inside an Ikelite 5D underwater housing with dual Ikelite DS 160 strobes attached with ULCS arms. The image initially required minimal processing, but I spent a lot of time cloning out backscatter in Photoshop.

Sockeye Salmon 1

Sockeye Salmon 1

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I spent last Thursday and Friday photographing the sockeye salmon migration on the Adams River in central British Columbia. It was a miraculous sight to behold! Every 4 years the salmon return in huge numbers. However, they had not returned in as great a numbers as this year since 1910. The relatively short life cycle of the salmon is amazing when you consider that when they are born they swim in Shuswap Lake for a year before descending the Fraser River, migrating to the North Pacific Ocean, and finally returning to the river of their birth by swimming past orcas, fisherman, and the city of Vancouver to lay their eggs before dying. Though the young salmon never meet their parents, the accumulated biomass of their decaying parents nourishes the lake and thus the young salmon in their first year of life. The epic journey of the salmon is a story about determination and rebirth.

During my previous visit to the Adams River in 2002, I was just beginning my photography career. I had no idea what I was doing with an underwater housing. Plus, I was limited to only 36 exposures on a roll of film, which made it a real pain getting out of the water to change film. Using my Canon 5DmkII and 17-40mm f4 lens in my Ikelite 5DmkII housing with an 8″ dome port and dual DS 160 strobes, I am now able to create over 600 exposures on my 16GB Sandisk Extreme cards. My recent shoot was no longer limited by technology, but more by my patience and willingness to sit on my knees in the middle of the river while wearing my drysuit for hours at a time. I perfected my technique of shooting “blindly” by positioning myself in the river so that an eddy formed downstream of my body where the salmon could congregate and then I lowered my housing into the water to fire away at 4fps without looking through the viewfinder. Clearly, there was a lot of room for error in my positioning of my camera in this manner, because I had to delete a lot of images. I was inspired to create this image as the sun was just starting to rise over the tops of the trees in the late morning. The salmon were backlit, so I used my strobes for a bit of fill-flash. I did not have all my correct strobe arm parts with me, so I attached one strobe to my housing in the vertical position on the left side and hand-held my other strobe against my knee with my right hand. I was able to push the shutter release button with my left hand while balancing my housing against the river bottom. My strobes were set to -3 and the rest of this image was just pure luck that I guessed correctly of how to angle my camera. I do not like to do very much post-processing, but I had to digitally remove a significant amount of backscatter that was caused by my strobes illuminating the particulates in the water. My overall point in this long description is that there was a lot of technical challenges as well as blind luck required to create this beautiful image.

Update on 10/23/10-For anyone who might be concerned about my photography interfering with the salmon, I had a permit from the Department of Fisheries and Oceans (DFO) that allowed me to be in the water.

Kaikoura Billboard

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Kaikoura Billboard

One of my underwater humpback whale images appears on billboards in New Zealand this month. (Anyone in NZ able to send me a picture?) When I first set out to make a living as a professional photographer, I initially found success selling fine-art prints through galleries & art shows. That business model ceased being effective with the down-turn in the economy, so I turned my focus to my website. Many of my modest sales now come from having good SEO. This sale is a perfect example. A design firm contacted me a few weeks ago after searching the web, offered me a reasonable usage rate, I emailed them the file, and they wire-transferred the money to me. How easy was that?

2010 ICPA Poster

2010 International Conservation Photography Awards

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Tonight is the awards ceremony for the 2010 International Conservation Photography Awards at the UW’s Burke Museum of Natural History and Culture. The exhibit opens to the general public tomorrow. My image of a Steller sea lion underwater won 2nd Place in the Underwater category. It is featured on most of the promotional materials, including this poster that is currently displayed all around Seattle. I also received an Honorable Mention in the Landscape category for my “Badwater Salt Crust Sunrise 1″ image from Death Valley National  Park. I am really looking forward to seeing some of my friends, like Stuart Westmorland & Sean Bagshaw, and meeting a number of photographers that I only know online, including Todd Mintz, Jim Patterson, & David M Cobb.

Alaska Airlines February 2010 Cover

Alaska Airlines February 2010 Cover

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I am pleased to announce that my image is featured on the cover of the February 2010 issue of Alaska Airlines magazine! Be sure to check it out if you are on an Alaska Airlines flight this month. Also, the opening double page image to the humpback whale article was photographed by my friend Brandon Cole during a previous trip that we took together. I have the exact same image, since we were next to each other in the water when we both almost got run over by a humpback whale mother & calf. Photographing whales above or below water is my favorite kind of photography. It also helps that I am comfortable swimming in the open ocean in 10,000 feet of water and enjoy staring down into the blue depths underneath my fins.

This is a great blog post to transition from my dramatic landscape photography to more of my new wildlife images from the last year. I’ve been tightly editing my image archives the last few weeks and have come across a few keepers that are worth sharing in the days ahead. If you are like me and admire these creatures, check out my gallery of available humpback whale photos.

Place of Refuge Wave 1

Place of Refuge Wave 1

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Yesterday was my last day in Hawaii. Overall, the trip was exciting and adventurous, yet the photo opportunities were limited. The volcanic haze (vog) foiled almost every sunset landscape image that I tried to shoot. I also went boating 4 days to try and shoot some underwater wildlife. Even though I encountered spinner dolphins, pilot whales, and oceanic white tip sharks, none of them came close enough to me in the water to capture a publishable image. I always say that you better enjoy the boat ride when you are looking for pelagic critters. The chances of finding them are few and far between, yet when you do, it is an incredible experience.

I lucked into this image yesterday morning while snorkeling near the Place of Refuge. My flight home was not until the afternoon, so I decided to go for one last swim. Almost immediately, I found some green sea turtles feeding underwater, but soon turned my attention to a large school of yellow tangs that were moving back and forth in the wave surge. I noticed how dramatic the waves appeared in the background of my useless fish photos, so I turned my attention to capturing the drama of the large waves breaking over the coral reef. After some trial and error, I got my timing down for when I should dive underneath the surface and how to angle my camera up to shoot as the waves boiled over the reef. Of course right after the waves hit me, I felt like I was on the inside of a washing machine! It was challenging, but I had a lot of fun shooting something different.

Steller Sea Lion 3

Steller Sea Lion 3

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Here is another great image from my recent Steller sea lion shoot. This sea lion is biting the front of my dome port. Even with the dome and a +2 diopter, you can still see that it is a little soft around the mouth, but is that close or what? This images was created with my Canon 5D digital SLR in an Ikelite underwater housing with 2 Ikelite DS160 strobes set on Manual to -4, at f4 and 1/125 second.

Steller Sea Lion 22

Steller Sea Lion 22

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For any of my regular visitors, I have to apologize for not keeping up with my promise to try and post more the past few weeks. The economic uncertainty that we are all facing has started to demand my attention, as well as some personal family issues. I canceled my trip to return to Argentina this week, and am trying to work on some other projects for the time being as I try and sort everything out that is going on. It might be awhile, so I am just trying to regroup and focus on what I can do for my business and family at this time. Some of the bigger concessions that I am trying to make include selling my boat up in Alaska and eliminating my film expense by going all digital. I’m looking into trading in my Pentax 67 and Canon 5D so I can upgrade to the new Canon 5D mkII. I’ve got some new projects in the works to lead more photography workshops next year, so it only makes sense that I should shoot digital so that I have something to show to my clients, rather than waiting for my film to get processed after the trip. I think that I will keep my Fotoman 612 panoramic camera to still shot some film once in awhile, because I really like the detail I get in my larger prints.

I’ve got some more editing to do from my recent dive trip with the Steller sea lions, but this is one of my favorite images. I shot about 2600 images over 3 days during 8 hours of diving. I deleted at least 1800 in my first cut. Now I need to process the top 40 or so images from the shoot. This images was created with my Canon 5D digital SLR in an Ikelite underwater housing with 2 Ikelite DS160 strobes set on Manual to -4, at f4 and 1/125 second.

Steller Sea Lion 20

Steller Sea Lion 20

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I have had a great week scuba diving with the Steller sea lions. This is my 4th visit to Hornby Island, but the first time that I have chartered the resort with only 3 other photographers. I have been mobbed by 20-40 sea lions on 5 out of my 6 dives. I routinely disappear into a ball of sea lions as they gently bite on my drysuit covered legs and pull on the back of my wetsuit hood! When it gets too much, I just sink to the bottom and hold my camera over my head until they lose interest and go bother someone else. It is impossible to take pictures in the middle of that much chaos. They are constantly chasing each other and dive bombing me from the surface. I think they are having as much fun as I am. This is one of my favorite images of a juvenile blowing bubbles at me underwater. It was shot with my Canon 5D digital SLR, 17-40mm f4 lens, B+W +2 diopter, Ikelite underwater housing with an 8″ dome port and two DS160 strobes set to -4 at f5.6 and 1/200 second.