Landscape Photos, Pictures, Prints

Marit’s Beach 3

Posted on April 15, 2011 December 8, 2012

During my recent trip to the Misool Ecoresort in Raja Ampat, Indonesia, I focused most of my effort on underwater photography, but I also attempted to photograph landscape images. My initial forays by boat were disappointing. During one of my first attempts, I tried climbing up what was maybe an 80′ pinnacle. It was incredibly dangerous, so I quit trying to climb on the razor sharp islands and focused on the numerous white sand beaches dotted throughout the immediate vicinity of the resort. One of my objectives was this fantastic little beach that was maybe 100m across the channel from the dive jetty. I motored by it while diving everyday for a week before I had the opportunity to visit it. Before I set up my camera, I removed the ever-present plastic debris that was on the beach at the high-tide line. Unfortunately, plastic is everywhere in our oceans and remote Raja Ampat is no exception. I was initially focused on using the sandy beach as my foreground, but could not figure out how make that composition work, so I moved out into the shallow water. I was immediately captivated by the sunlight refraction patterns and set about making them the foreground leading into the tropical island. I created this image when the sun was higher in the sky than I normally photograph, because the light had to be intense enough for the refraction patterns to be visible. I named this beach in honor of Marit Miner, who is one of the owners of the resort and who’s home is also built on this island. I created this image using my Canon 5DmkII, Carl Zeiss 28mm f2 ZE lens, and Singh-Ray LB Warming Polarizer. This image required minimal processing using Aperture 3 and Photoshop CS5.

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Boo West Soft Corals 2

Posted on April 5, 2011 December 8, 2012

Of all my photos that I created during my recent Indonesian adventure to the Misool Ecoresort, this is the one that I had most envisioned. Indonesia is well known for its spectacular reefs, and Raja Ampat is considered to have some of the most pristine in the world. I was not disappointed. Before my trip, I was anxious about my learning curve to create an image like this. I think that every photographer should try taking a picture outside of their comfort zone once in a while. I initially struggled with balancing an ambient light exposure with fill-flash from my powerful underwater strobes, but I overcame these limitations after my first few days of diving. Freeing myself from the technical aspects of underwater photography allowed me to focus on composition. Once I figured out where to look for soft corals on the side of boomies (underwater pinnacles), I was able to realize my creative vision. Clearly the focus of this image is the neon soft corals surrounded by tropical fish, but I added texture to an otherwise featureless blue background by angling my camera up towards the surface. The clouds in the sky above also added color. I find it interesting that clouds play an important role in underwater landscape photography just like they do above water. I created this image using my Canon 5DmkII and 17-40mm f4 lens with a +3 diopter in my Ikelite 5DmkII housing with dual DS160 strobes set to -3 power. This image required minimal processing using Aperture 3 and Photoshop CS5.

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Batbitim Palm Tree Reflection 1

Posted on April 4, 2011 December 8, 2012

During my recent journey to the Misool Ecoresort in Raja Ampat, Indonesia, my main ambition was underwater photography. I created most of my images while scuba diving at a depth of 10-20m. However, I made this dramatic image in the shallow water located between the dive center and restaurant. This beautiful tropical lagoon was composed of a white sand beach and teemed with baitfish and baby blacktip reef sharks. I had originally intended to photograph these creatures, but when I discovered the reflection of the coconut palm trees on the surface I turned my attention to photographing this instead. I was also drawn to the spectral refraction patterns on the sandy bottom, but the surface reflection is really where any good wide-angle underwater image can be found. I created this image without looking through my viewfinder through trial and error until I figured out how far back to angle my camera housing while it rested in the sand. I used my Canon 5DmkII and Canon 17-40mm f4 lens with a +3 diopter inside of my Ikelite 5DmkII housing with my 8″ dome port. This image required minimal processing using Aperture 3 and Photoshop CS5.

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Laguna de los Tres Sunrise Clouds 3

Posted on March 5, 2011 December 8, 2012

During my recent trip to Patagonia, I was only able to see and photograph the amazing granite spires a few days due to the notorious weather. Most of my trip involved sitting around camp waiting for better conditions. It was not the most productive photography trip. However, when the weather was nice, it was amazing! In order to get to this fantastic viewpoint in time for sunrise, I had to hike over 2 miles and 1600′ vertical feet in the dark. On the morning that I photographed this scene, I could tell when I woke up at 3am that it was clear on the eastern horizon and discerned the silhouette of Mount Fitz Roy above camp to the west. Anticipation of an epic sunrise provided me with extra motivation during the hike up to Laguna de los Tres. I was not disappointed, because the clouds lit up with dramatic color while Mount Fitz Roy was bathed in alpenglow. This image was created using my Canon 5DmkII and Singh-Ray 3-stop Hard Graduated Neutral Density filter on a Carl Zeiss 21mm f2.8 ZE lens that Zeiss USA was kind enough to loan me for my trip. This image required minimal processing using Aperture 3.

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Stovepipe Dunes Mud Sunset 1

Posted on March 3, 2011 December 8, 2012

I just returned from leading a private photography tour in Death Valley National Park. I’ve spent a lot of time in this dramatic but desolate park the last few years, so it was nice to return to a place that I know so well. It was especially nice seeing the sun while missing the lousy weather back home in Seattle. I did not take a lot of photos during this trip because the shooting conditions never got epic, plus my attention was focused on working with my clients. What is important is that they had a great time and learned a lot from me. Most of my photography tours are done on a private basis, and include as much instruction as I can cram into a trip. The cost of working with me is higher per person compared to an instructor who leads a dozen people at a time, but my clients have me all to themselves. Please consider working with me if you are interested in pushing your photography to a new level.

This image is my favorite from the trip. My regular readers and fans might wonder, “why is this not some epic-light, wide-angle shot from some far off destination like Jon typically shoots?” I occasionally photograph abstract details and patterns, but they never sell or license compared to the “bigger” images that I am know for. Even though the clouds did not light up as I had hoped for at sunset, I used the twilight glow to add some red color to this intricate mosaic pattern of mud. I created this image using my Canon 5DmkII body and Carl Zeiss 50mm f1.4 ZE lens. It required minimal processing using Aperture 3.

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Audubon 2012 National Parks Cover

Posted on March 2, 2011 December 8, 2012

My image “Delicate Arch Sunset 2” is featured on the cover on the 2012 Audubon National Parks calendar! I just checked the image’s meta-data and saw that I created this image almost 5 years ago this March. I remember flying down to Salt Lake City and then driving to Arches National Park to catch a clearing storm that afternoon. I created this image using my Pentax 67II medium format film camera, Pentax 105mm f2.8 lens, and Singh-Ray Warming Polarizer using Fuji Velvia film. I also set up my Fotoman 612 panoramic film camera to create a panoramic version of this same scene. I do not miss carrying all of that weight around. I scanned the original slide with my Imacon Photo desktop scanner and processed it using Photoshop.

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Popular Photography March 2011 Desert Song Article

Laguna Torre Cloudy Reflection 1

Posted on February 3, 2011 December 8, 2012

Each year, the summit of Cerro Torre eludes climbers from around the world mostly due to the atrocious weather. They most often spend weeks or even months tent-bound patiently waiting for the weather to clear, but it rarely does. My own experience trying to photograph Cerro Torre has been equally challenging. Between my first visit in 2007 and 2 visits during my recent trip, I’ve spent 8 days attempting to photograph it. If I had been at the lake the day before I created this image, I might now be sharing a sunrise picture of the mountain surrounded by beautiful orange clouds and a calm reflection. However, I hesitate to say that my recent attempts were totally unsuccessful, because I created this mysterious image. Though I could not see the summit at sunrise, an hour later the clouds became thin enough to allow the summit to peak through a hole while Laguna Torre was almost a perfect reflection. This image captures the drama of the typical conditions beneath this impossible spire more so than any image that I might have originally hoped to create. I am sure I will someday return to photograph Cerro Torre during a more ideal sunrise, but do I need to? I created this image with my Canon 5DmkII, Carl Zeiss 35mm f2 ZE lens, Singh-Ray 4-stop Soft Graduated Neutral Density filter, and tripod. It required minimal processing using Aperture 3.

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Laguna de los Tres Sunrise 5

Posted on February 1, 2011 December 8, 2012

Located in the Southern Andes Mountains of Argentina and Chile, Patagonia boasts some of the most dramatic mountains on Earth, including Mount Fitz Roy, Cerro Torre, and the Torres del Paine. Unfortunately, Patagonia also receives some of the world’s worst weather. Clouds obscure the mountains for weeks or even months at a time. This consistently awful weather makes photography in the region a lesson in monotonous boredom and disciplined patience. One of my old climbing partners from Alaska was down there the entire month of January and never got a good weather window long enough to climb anything significant. Over the course of my own 3 week trip, I was only able to see the summits at sunrise on 4 days, 2 of which I did not shoot because I was exhausted and frustrated back in town for the night rather than camping close to my objectives.

I visited Patagonia for the first time in March of 2007. During that trip, I experienced my only major camera failure in 10 years as a professional photographer. I had been shooting startrails the night before walking up to Laguna de los Tres with my old Pentax 67II and had drained the batteries. I was not worried because I always carry a spare set of batteries with me, but after 1 weeks of waiting patiently for a clear sunrise, I discovered that my spare set was also dead! That camera failure haunted me for the last 4 years. Knowing how few opportunities I would have because of the weather, I made photographing Mount Fitz Roy from Laguna de los Tres my main objective for my recent trip.

From the town of El Chalten, I backpacked up to Campemento Poincenot and established my basecamp 3 different times. From there, I walked uphill over 2 miles and 1500′ in elevation each morning to this spectacular viewpoint. I camped a total of 7 nights, waiting for the right conditions. Most of the mornings the weather was windy, cold, and wet, but I still dragged my butt up hill 4 times. This is probably my favorite image from my trip. I really like how the dark clouds above the summits intensified the alpenglow illuminating the mountains. The light only lasted for about 12 minutes, which meant I finally had 12 minutes for photography after 1 week of travel! I created this image using my Canon 5DmkII and Singh-Ray 3-stop Hard Graduated Neutral Density filter on a Carl Zeiss 21mm f2.8 ZE lens that Zeiss USA was kind enough to loan me for my trip. This image required minimal processing using Aperture 3.

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Papohaku Beach Sunrise 1

Posted on January 7, 2011 December 8, 2012

I spent a week sea-kayaking Molokai‘s remote north shore 7 years ago and had always wanted to return. I finally had the opportunity when I took my family to Maui for our recent family vacation. Molokai’s tranquil charm is the total opposite of the tourist chaos of Waikiki or Lahaina. There really isn’t much to do, other than relax and do nothing, which is exactly what we did.

Hawaii experienced a huge tropical storm during our week-long visit, which was a bummer, especially for my photography ambitions. After several days of torrential rain, I finally experienced perfect landscape photography conditions and created this dramatic image on our last morning on Molokai. At almost 3 miles long, Papohaku Beach is the longest beach in Hawaii. Of course, since this was Molokai I had this beautiful location all to myself. I located these lava rocks embedded in the sand on the north end of the beach and knew that they would give some texture to the outgoing waves crashing into the beach. I also anticipated that the clear sky in the east was going to allow the sunrise to light up the cloudy remnants of the previous few days’ storm just offshore. By taking extreme chances with my camera equipment and through trail and error, I created this dynamic image. From the silky water rushing over the sand and rocks to the breaking wave with the clouds billowing in the sky, this picture has an elemental, dream-like quality that I am completely enamored with. I created this image with my Canon 5DmkII, Carl Zeiss 28mm f2 ZE lens, and Singh-Ray 2-stop Hard Graduated Neutral Density filter on my tripod. It is a single exposure that required minimal processing using Aperture 3.

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