Barter Island Polar Bears 1

Barter Island Polar Bears 1

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I have just returned from co-leading my first Polar Bear Photography Tour in Alaska. It was an incredible success! I created some fantastic images, but more importantly, so did my clients. I can’t wait to do it again next year. I’ll be updating my website this fall with information about next year’s tours, but if anyone is still interested in photographing the polar bears this year, my partner Steve Kazlowski is available in Alaska for clients. Please email me at for more information.

This was my first time photographing polar bears. I now understand how addictive photographing them can be. On the last day of my tour, I was able to photograph this mother and cub wrestling in the snow for an hour. It was incredible watching the cub continuously jump on or slide under it’s mom. Check out those mischievous little eyes staring at it’s mom right before it pounces. I was initially frustrated that they were farther away than I would normally like to shoot, but I pulled out all of my equipment in order to get in as tight as possible. I was on a boat which required me to hand-hold my Canon 7D with my 500mm f4 IS lens plus 1.4X tele-extender. That is equivalent to an 1120mm lens! I was able to freeze the action at 1/1000 second by setting my camera to ISO 800. This image is a single-exposure which was slightly cropped and required minimal processing using Aperture 3 and Photoshop CS5.

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Harriman Glacier Dwarf Fireweed 1

Harriman Glacier Dwarf Fireweed 1

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During my trip to Alaska last month, I returned to Harriman Fjord in Prince William Sound with ambitions of photographing wildflowers blooming near the tidewater glaciers. I was very lucky, as my timing was perfect and the weather was spectacular. I had seen a few images of this patch of dwarf fireweed from Alaska photographers that I admire and easily located it during my first reconnaissance of the fjord in my inflatable. I returned the next morning and was rewarded with beautiful sunrise light and clouds. I created this image with my Canon 5DmkII, Carl Zeiss 28mm f2 ZE lens, Singh-Ray LB Warming polarizer, and 3-stop Hard Graduated Neutral Density filter. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

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Atlantic Spotted Dolphin 2

Atlantic Spotted Dolphin 2

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This another of my favorite Atlantic spotted dolphin pictures from my recent trip to the Bahamas. I did not have a lot of opportunities to photograph groups of dolphins all at once. However, these 3 yielded a great image as they swam underneath me and gracefully turned towards the surface. I would have preferred fully rotating my camera into the vertical position, but it happened so quickly while underwater and I barely clipped their tails. I love the symmetry of the dolphins and the apparent glee on their faces. I created this image with my Canon 5dmkII and 17-40mm f4 lens with a +3 diopter in my Ikelite 5DmkII housing with 8″ dome port. This image is a single exposure which required a bit of processing to remove the cyan cast of the water using Aperture 3.0 and Photoshop CS5.

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Atlantic Spotted Dolphin 1

Atlantic Spotted Dolphin 1

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For many years now, my Alaska photography ambitions have conflicted with my underwater photography ambitions. However, this summer I made time in my busy schedule to visit the Bahamas and swim with wild Atlantic spotted dolphins. I joined a trip offered by Captain Scott of Dolphin Dream the first week of August and was not disappointed. Certainly, wildlife photography is never guaranteed, but through persistence and sheer luck I was able to photograph some beautiful portraits of the dolphins over the course of my week-long trip. During the dolphin encounters, they often came close enough to touch while gracefully playing amongst our group of snorkelers. I typically swam on the outside of the group, so that I could photograph the dolphins without people in the scene. I created this image during the first few exciting days of the trip by diving down 20′ towards the sandy bottom as this dolphin curiously swam by and checked me out. I used my Canon 5dmkII and 17-40mm f4 lens with a +3 diopter in my new Aquatech 5DmkII housing with 8″ dome port. This image is cropped from the original and required a bit of processing to remove the cyan cast of the water using Aperture 3.0 and Photoshop CS5.

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Denali Dall Sheep 1

Denali Dall Sheep 1

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On my first day in Denali National Park, I encountered a large group of Dall sheep up the side of a mountain. I grabbed my camera equipment, including my 500mm lens, and hiked over 1500′ up to them. As I approached the group, they became aware of my presence but did not run away. I was unsure how close they would allow me to get, but they seemed unconcerned by my presence and continued foraging for grasses. I got close enough to photograph individual animals isolated against a clean background. Eventually, I moved in close enough to photograph this nice head-on portrait of a big male looking down on me. I created this image with my Canon 7D, Canon 500mm f4 IS lens, and Canon 1.4X tele-converter. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

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Denali Fireweed Sunset 1

Denali Fireweed Sunset 1

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During my recent visit to Denali National Park, I had a professional photography permit for the first time. The permit allowed me the unique opportunity to drive the Wonder Lake Road in my own vehicle and spend as much time taking pictures as I needed. The week started out with terrible weather, but quickly improved and kept getting better every day. I honestly had no ambition to photograph Denali based on how difficult it was to even see the mountain during my previous visits in 2005 and 2006. However, with all the clear weather that I experienced, I took advantage of every moment that the summit was visible. I created this spectacular image on the last day of my permit. After staying up all night for several days and barely sleeping, I had lunch at the Kantishna Roadhouse. After lunch, my intention was to start driving back to Anchorage, but as I was nearing Wonder Lake the mountain was again entirely visible. So much for driving that afternoon. I had scouted several nice patches of fireweed during the week, so I decided to set up my camera for the rest of the day and see what would happen. Not only was it sunny and warm with almost no wind, but the mosquitoes disappeared entirely. This allowed me to comfortably sit at the side of the road while working on my tan with my shirt off. Anyone who has ever been back to Wonder Lake during the summer will appreciate how incredible this sounds. Over the course of 6 hours waiting for the sunset, I listened to some of my favorite music, waived at the occasional bus passing by, and waited for the clouds to part again in order reveal Denali. Everything came together perfectly about 1 hour before sunset. I created this image with my Canon 5DmkII, Carl Zeiss 35mm f2 ZE lens, Singh-Ray LB Warming polarizer, and 3-stop Hard Graduated Neutral Density filter. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

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Denali Lynx 1

Denali Lynx 1

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During my recent visit to Denali National Park, I photographed this rare portrait of a Canadian lynx. I had been exhausted from driving all night from Wonder Lake back to the park entrance, when a lynx crossed the road in front of my van. At first, I was unsure whether it was real. However, as soon as I pulled up alongside of the lynx, it laid in the bushes next to the road and proceeded to watch me for what seemed like an eternity. I reached for my big lens on the floor behind me and quietly rolled down the window to grab whatever picture I could before it ran away. The lynx seemed unconcerned by my presence, so I got out of the car. In order to minimize the bushes in front of the lynx’s face, I had to lay on my stomach on the road while balancing my camera equipment with one hand. I was less than 30′ away from this beautiful creature the entire time. It was an amazing encounter that I will always cherish. I created this image with my Canon 7D and 500mm f4 IS lens. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

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Heather Island Dwarf Fireweed Sunset 1

Heather Island Dwarf Fireweed Sunset 1

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I created this bold image of dwarf fireweed at sunset while visiting Columbia Bay with my small boat Serenity a few weeks ago. This was the second time that I have visited this area this year, after the dramatic and wild nature of the place got under my skin back in May. It is now one of my favorite locations that I have visited in Alaska. I experienced much better weather during this visit and there were loads of wildflowers, especially the hearty dwarf fireweed. This plant grows in areas recently exposed by glacial retreat. This particular patch of flowers was located on the northwest tip of Heather Island along the edge of the old glacial moraine bar. Before settling on this composition, I ran around like a madman trying to find the best group of wildflowers that would compliment the dramatic sunset that was unfolding. During brief but dramatic moments like this, a photographer must be comfortable with his/her equipment and methodically use the skills that have been mastered through years of practice. I photographed this scene with my Canon 5DmkII, Carl Zeiss 28mm f2 ZE lens, Singh-Ray LB Warming polarizer, and 2-stop Hard Graduated Neutral Density filter. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

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Hartney Bay Sandpipers 32

Hartney Bay Sandpipers 32

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This is another image from my visit to Cordova, Alaska last month. The focus of my trip was photographing the shorebird migration that takes place each spring along the Copper River delta. Naively, I anticipated millions of shorebirds, but I never saw more than perhaps 10,000 all at once. This was still a spectacular sight to photograph, and how many birds did I really need? The best time to photograph the shorebirds was at high tide, which fortunately corresponded with sunrise and sunset that week. I was also lucky that the sky was clear so that I was able to take advantage of the golden light. This is one of my favorite pictures of the birds in flight. I created this image with my Canon 7D and 400mm f4 DO IS lens plus 1.4X tele-converter. I slightly cropped the original image to make a stronger composition, otherwise, it required minimal processing using Aperture 3 and Photoshop CS5.

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Columbia Glacier Sea Otters 1

Columbia Glacier Sea Otters 1

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While visiting the Columbia Glacier last month, I spent a lot of time photographing sea otters, or should I say, trying to photograph sea otters. They are very shy creatures, and difficult to approach. I had a Canon 500mm f4 IS lens with me, but that lens is way too heavy to hand-hold while motoring around in my inflatable all day. Fortunately, I also had my trusted Canon 400mm f4 DO IS lens, which is much lighter. When combined with my Canon 7D and 1.4X tele-converter, this set up becomes the equivalent of a 900mm lens. I prefer marine mammal images that are photographed from as close to the water as possible. This yields a much better sense of location plus a softer background than images that are taken from higher up on larger boats. This mother and pup kept an eye on me the entire time, which gave me the eye contact that I prefer when photographing wildlife. Keep in mind that I was piloting my inflatable with my other hand while also trying to compose this picture. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

In case you missed it, please check out my sea otter article from this trip that were recently published in the UK’s Daily Mail.

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