Popular Photography June 2011 Whale Article

Popular Photography June 2011 Whale Article

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Check out my latest feature in the June issue of Popular Photography! My article is about photographing cetaceans, otherwise known as whales. They are my favorite photographic subject and I’ve routinely stated over the years that if I could only photograph one thing that it would be whales. My article gives advice on how to photograph them, what lenses to use, and where some of the best places are to find whales. I also share how much patience is required for whale photography. In case it’s not obvious, they spend their lives underwater, so not only is it difficult to catch a glimpse of them, it is even harder to photograph them. I have been very fortunate to accumulate many months of time with them in the last decade. You can read more about the image in the double page opener in my blog post from 2010. Also, If you’ve ever wanted to photograph whales, I am co-leading a tour with Tony Wu to photograph humpback whales in Southeast Alaska and Tonga in 2012.

Hartney Bay Sunset 1

Hartney Bay Sunset 1

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During my recent visit to Cordova, Alaska, I was blessed with nearly a week of perfect weather. Of course, clear blue skies are never conducive to dramatic landscape images, so I kept my eye out for the occasional clouds at sunset. These mountains formed the dramatic backdrop for the prime shorebird viewing area of Hartney Bay. Since it was still early spring, they were still covered in snow almost all the way to sea-level. Fortunately for my photography ambitions, high-tide corresponded with sunset which allowed the channels in Hartney Bay to fill with the incoming tide. Since there was almost no wind the night that I created this image, I was able to photograph a near perfect reflection in the calm waters. The clouds lit up with more dramatic colors as the sun set, but I find my photographic eye increasingly drawn to more fully illuminated landscapes with great light, rather than overwhelming neon colors and dark shadows. I created this image using my Canon 5DmkII, Carl Zeiss 50mm f1.4 ZE lens, Singh-Ray LB Warming Polarizer and 4-stop Soft Graduated Neutral Density Filter. This image required minimal processing using Aperture 3 and Photoshop CS5.

Hartney Bay Sandpipers 1

Hartney Bay Sandpipers 1

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ALASKA!!! That sums up my feelings about my recent trip north. I began my trip by teaching some classes in Anchorage and Fairbanks, but then my friend and fellow photographer Steve Kazlowski joined me for a week photographing the Copper River shorebird migration near Cordova. It was the first time that either of us had been to Cordova. I was prepared for a week of terrible weather based on what I’ve heard, so imagine my surprise when the sky was clear the entire week! Not only was the weather perfect, but high-tide (when the shorebirds were best photographed) actually corresponded with the prime light of sunrise and sunset. I could not believe our fortune, since neither of us did any research before our trip. It was very difficult to photograph the flocks of mostly Western sandpipers, but this is one of my favorite images. I like how the shorebirds are landing towards me and a few of them are in sharp focus amongst the chaos. I created this image with my Canon 7D and 500mm f4 IS lens (which Canon Professional Services was kind enough to loan me). I slightly cropped the original image to make a stronger composition, otherwise, it required minimal processing using Aperture 3 and Photoshop CS5.

Humpback Whale Breach 103

Humpback Whale Photography Tour

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I’m teaming up with renowned underwater photographer Tony Wu to offer the ULTIMATE humpback whale photography adventure in 2012. The first half of our tour will begin in Southeast Alaska, where I have spent 5 years photographing humpback whales, followed by a two week break, and then finishing in the Kingdom of Tonga, where Tony has spent over 10 years photographing humpbacks. This is a unique, immersive experience to witness and photograph a wide range of humpback whale behaviors in two hemispheres.

Starting in Juneau, Alaska, we will use our expedition yacht and inflatable boats to photograph northern hemisphere humpback whales bubble-net feeding, breaching, and other behaviors. After our short break, we will regroup in Tonga for in-water encounters with southern hemisphere humpbacks where we’ll be looking for mothers with babies, singers, heat runs, mating, and other calving-related activities. Seeing the whales with your own eyes beats watching a TV documentary!

This trip is for a small, exclusive group of 6 guests who will be able to travel to both locations with guides Jon Cornforth and Tony Wu to photograph a wide range of humpback whale behaviors. Our core idea is to share a once-in-a-lifetime experience with the same 6 guests in order to provide the most comprehensive humpback whale photography opportunities. If someone is interested in only one part of this combined trip, we will automatically put them on our waitlist, but we will only fill single slots after we have prioritized spaces for guests interested in both trips.

For more information, please visit my Humpback Whale Photography Tour page.

Barter Island Polar Bears 8

Polar Bear Photography Tour

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This fall, renowned wildlife photographer Steve Kazlowski and I will be leading a polar bear photography tour in Arctic Alaska. Steve has been successfully photographing polar bears in this location for the past 13 years. His images have been published by Time and National Geographic and he is the author of The Last Polar Bear: Facing the Truth of a Warming World.

We will spend 3.5 days photographing polar bears during each of our tours. We will use locally-rented trucks to photograph the bears and there will be an optional boat adventure available working with local guides. We will have a maximum of 3 guests per vehicle. Our small group size will allow us to observe the bears and remain highly mobile. Plus, Steve & I will be able to provide personal photography advice that is impossible in larger tour groups. Our goal will be to photograph classic polar bear portraits and behaviors. At night, we will continue to photograph polar bears, but there is a possibility that we will also photograph the aurora borealis. This is an exciting trip that will allow the discerning photographer an incredible opportunity to photograph polar bears in Alaska.

For more information, please visit my Polar Bear Photography Tour page.

Warakaraket Pinnacle 4

Warakaraket Pinnacle 4

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During my visit to the Misool Ecoresort in Indonesia, I attempted to photograph as many landscape images as possible, but was limited by whether I had a boat available to me. On the return from one afternoon dive, Thorben showed me some fantastic rock pinnacles backed by a palm lined beach on the far end of Warakaraket Island. He offered to take me back to this location at sunrise, so for several mornings in a row, I woke up at 5am and looked out towards the eastern horizon. Almost every time, it was super cloudy and pouring rain, so I went back to bed rather than enjoy a 45 minute boat ride in the dark while getting soaked. There are some things that are just not worth doing. After 3 days of waking up early and going back to sleep, the weather finally seemed to be cooperating so we went for it. Guess what? I still got skunked and returned without the image I was hoping for. So, I decided to try one last time, but rather than the next morning I went back that afternoon. In order to get back here, I had to skip the late afternoon dive. I got dropped off at this incredible location and had it all to myself. I had a bit of a Robinson Crusoe moment when I wondered what would happen if they forgot to come back to get me. Would I carry on conversations with “Canon” like Tom Hanks did in the movie Cast Away? I enjoyed my quiet time by myself, but eventually the boat returned. I asked them if they wouldn’t mind leaving me for a few more hours until the sunset and they agreed. My buddy, Brent decided to stay with me and I think he used my camera with his memory card to take this same picture. The sunset light was a bust, but we swam around these pinnacles for an hour, chatting the entire time about life. It’s moments like these that make the memories that I cherish from my travels. I created this image using my Canon 5DmkII, Carl Zeiss 28mm f2 ZE lens, and Singh-Ray LB Warming Polarizer. This image required minimal processing using Aperture 3 and Photoshop CS5.

Misool Rock Paintings 1

Misool Rock Paintings 1

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In my early years as a professional nature photographer, I became enamored with Native American rock-art sites in the Southwest. I studied the photographic work of the master landscape photographers and emulated their style, if not their outright images. Since, my initial forays into the Southwest, I have visited rock-art sites in Alaska, Hawaii, and the Pacific Northwest. The photographic skills that I learned served me well when I had the opportunity to visit several Papuan rock-art sites during my recent visit to the Misool Ecoresort in Raja Ampat, Indonesia. Unlike land based sites that can be hiked to, these panels overhung the water and required a boat to visit. They are located in Southeast Misool where mushroom-shaped islands jut out of the ocean and form a myriad of twisted passages and channels that any landscape photographer could devote months to exploring. Researchers have estimated that these pantings are in the neighborhood of 5000 years old. The red pigments are most likely iron-oxides which would have come from far away in central Papua. The main figures depict tuna, dolphins, and other unknown symbols. I was drawn to these paintings that included the limestone holes and erosion patterns. I created this image while precariously standing on the bow of the boat and hand-holding my Canon 5DmkII and Carl Zeiss 50mm f1.4 ZE lens. This image required minimal processing using Aperture 3 and Photoshop CS5.

Palau Jam Clouds 3

Palau Jam Clouds 3

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During my trip to the Misool Ecoresort in Raja Ampat, Indonesia, I put most of my effort into underwater photography, but also photographed landscape images whenever a boat was available. Numerous islands beckoned to be photographed, but I was especially intrigued by a series of small, rocky islands that I could see on the northern horizon. From a distance, the Palau Jam group appeared to barely be above water and crowned by only a few coconut trees. After staring at these islands for almost 2 weeks, I had an opportunity to borrow a boat for the 45 minute journey. I invited the resort’s other guests on all of my forays, and on this afternoon Thomas & Nigel from the UK decided to join me. As we approached the islands, I noticed that the largest had a magnificent sandy beach which made the turquoise water glow in the afternoon light. I composed this scene to the best of my abilities given the stormy conditions while standing in the shallow water. I tried to photograph the sunlight refraction patterns, but it was too windy to see them. However, billowing storm clouds added the required layer of drama and made this my favorite landscape photo from my trip. I created this image using my Canon 5DmkII, Carl Zeiss 28mm f2 ZE lens, and Singh-Ray LB Warming Polarizer. This image required minimal processing using Aperture 3 and Photoshop CS5.

Popular Photography May 2011 Hiking Article

Popular Photography May 2011 Hiking Article

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It seems that years of hard-work and dedication are paying off. My 10 year anniversary of being a full-time photographer is coming up this June, and I have experienced a lot of editorial success lately, including my new hiking and backpacking photography article in the May 2011 issue of Popular Photography.  In the article, I share my secrets for creating dramatic images away from parking lot viewpoints. Most readers are never going to travel to the ends of the Earth and spend weeks camped out like I do, but hopefully my article will motivate more photographers to get more exercise, enjoy nature, and find their own unique images rather than settle for the same-old viewpoints. I created the double-page opening image of Forbidden Peak at sunset while backpacking in North Cascades National Park. It was a long hike up to Sahale Arm where I camped for several nights with some friends. If you are motivated, I highly recommend this backpacking trip high into the North Cascades. The views are some of the best that can be found in Washington. I created this image with my Pentax 67II medium format camera, Pentax 90mm f2.8 lens, Singh-Ray Warming Polarizer, tripod, and Fuji Velvia 50 film. I scanned it on my Imacon Photo scanner and adjusted the masterfile in whatever version of Photoshop I was using at the time. Readers will also note that I included a photo of my Fstopgear Tilopa BC packed with all my equipment spilled out that I currently use to create landscape photos.

Skunk Anemonefish 1

Skunk Anemonefish 1

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What else needs to be said about clownfish, other than they are iconic and adorable? There are also many different types of clownfish, like this skunk anemonefish. As my regular readers can probably tell, I had a plethora of photographic opportunities while scuba diving during my visit to the Misool Ecoresort. This yellow anemone was aesthetically appealing to me and the skunk anemonefish was less agitated than most of the false clown anemonefish that I photographed. Heck, this one even has a slightly less dour frown on its face. Do I even sense a smile because it knew that I was going to make it famous? I created this image using my Canon 5DmkII and 100mm f2.8 macro lens in my Ikelite 5DmkII housing with dual Ikelite DS160 strobes set on TTL. This image required minimal processing using Aperture 3 and Photoshop CS5.