Guadalupe Great White Shark 21

Guadalupe Great White Shark 21

Posted on

Over the last few weeks, I have been diligently working on processing images from the trips that I have never edited in the last 4 years. I am never home long enough to catch up, plus I really dislike processing images. I have probably gone through at least 50,000 images and deleted many of them, but I have also discovered many fantastic images that have been lurking on my hard-drives. At the time, I remember being disappointed in some of these trips, but I am glad that time has allowed me to realize the potential of what I did photograph. Also, my image processing skills have greatly improved over what I was capable of a few years ago.

For example, consider this dramatic image of a great white shark that I photographed at Isla Guadalupe off the coast of Baja, Mexico in September 2008. This is a fine image, but at the time all that I remembered was feeling disgruntled that I never got the head-on, jaws open picture that every shark photographer dreams of. I also was not very good at processing blue underwater images at that point, so I could not see the possibilities of this image through the overpowering blue of the RAW file. The fish that surrounded the shark cage also “ruined” my picture, but now they do not bother me nearly as much as they did at the time. I have been fortunate to have photographed great white sharks twice in my lifetime. This image has gotten me thinking again about doing some more shark diving trips in the near future. I created this image using my Canon 5D and 17-40mm f4 lens in my old Ikelite 5DmkII housing with 8″ dome port. It is a single exposure which was mostly processed using Aperture 3.0. I also removed much of the cyan cast and cloned out particles floating in the water using Photoshop CS5.

Be social and share.

2011 Pacific Life Annual Report Cover

2011 Pacific Life Annual Report Cover

Posted on

This past winter I was contacted by Pacific Life Insurance Company to submit images for their annual report. Guess what? One of my images was selected for the cover! This image is the only breaching humpback whale photo that I have from Hawaii and has never been one of my favorites, however, it just sold for a reasonable amount of money. The lesson here is that no matter how I might feel about a particular image, it can have more value than any of my favorite images. When I was in Alaska last month, I saw an amazing full body breach by an adult humpback whale, but of course I was still too far away to photograph it. After a lot of excited screaming of many expletives, I had a very interesting discussion with my crew. They asked me how many breaches I have seen? I guessed somewhere between 300 and 500 breaches in the last 10 years, but only 20-30 of them were photographable. That is a ratio of at best of 1 photographable breach for every 30 breaches I observe. It also means that I have spent a lot of time on the water around whales, which happen to be my favorite subject to photograph. I created this image with my Canon 5D and 70-200mm f2.8 IS lens. This image is a single-exposure which required a minimal amount of processing using Aperture 2 and Photoshop CS4. You can enjoy more photos of whales in multiple galleries on the rest of my site.

Be social and share.

Kenai Orcas Blow 1

Kenai Orcas Blow 1

Posted on

This is my favorite image from my May trip to Seward, Alaska to photograph orcas. I experienced a lot of terrible weather, but through my perseverance, I was eventually rewarded with 4 glorious days of sunshine, calm seas, and orcas. I saw about 50 different animals in the various pods of resident and transient orcas over those 4 days near Cape Aialik. As this orca swam along the dark, shaded shore, I anticipated its backlit blow when it came to the surface to breath, so I positioned my boat in the bright daylight and waited for the orca to swim past. Right on cue, the orca surfaced and I photographed the explosive pattern of the moisture in the air as it exhaled. I also like the contrast in this image of the bright blow against the dark shore with the bright green water. I created this image with a Canon 1DmkIV that I rented from LensRental.com and my 70-200mm f2.8 IS II lens. This image is a single-exposure which required a minimal amount of processing using Aperture 3 and Photoshop CS5.

Be social and share.

Kenai Orcas 1

Kenai Orcas 1

Posted on

Dang, has it really been 2 months since my last blog post? After our big house move this spring, I’ve been making it a priority to edit all of the trips that I never seem to have time to edit. That has been going really well, so now I am going to begin sharing my new images.

This is one of my favorite photos from my May trip to Alaska when I went up to use my boat for the first time this summer out of Seward. My goal was to spend the better part of 3 weeks trying to photo orcas. The weather had other plans for me, but during my 16 days of trying, I eventually experienced 4 nice days, and fortunately on those days I found lots of orcas. My dream image was to photograph a breaching orca in nice light with the snow covered mountains in the background. While I did see over a dozen breaches, I was unsuccessful photographing a breach. However, I did create many images of orcas with nice light and beautiful scenery like this one, so it was not a total waste of time. This pod was photographed at 11pm near Cape Aialik. I created this image with a Canon 1DmkIV that I rented from LensRental.com and my 70-200mm f2.8 IS II lens. This image is a single-exposure which required a minimal amount of processing using Aperture 3 and Photoshop CS5, plus I applied a graduated neutral density filter in processing using Nik Color Efex Pro 4 that Laurie Rubin at Nik Software was kind enough to let me start playing around with.

Be social and share.

Honokohau Sea Turtle Sunset 1

Honokohau Sea Turtle Sunset 1

Posted on

My favorite location to photograph sea turtles is at the Kaloko Honokohau National Historic Park on the Big Island of Hawaii. After a long day boating with my friends, I photographed this small sea turtle resting on the lava shoreline north of the small boat harbor at sunset. I was lucky that the sky lit up like this, because the vog and clouds often block the magic light at the end of the day in Kona. My friend and fellow photographer Stuart Westmorland was using a flash next to me, which fortunately added a bit of fill light to the otherwise backlit turtle. I normally dislike flash, but in this case the fill-light is perfectly balanced with the ambient light. I might have to buy myself a flash. I created this image with my Canon 5DmkII, Carl Zeiss 35mm f2 ZE lens, and 3-stop Reverse Graduated Neutral Density filter. This image is a single-exposure which required a minimal amount of processing using Aperture 3 and Photoshop CS5.

Be social and share.

Outdoor Photographer April 2012 Discover Digital Quick Tips Article

Outdoor Photographer April 2012 Discover Digital Quick Tips Article

Posted on

I am excited to share that my “Discover Digital Quick Tips” article is published in the April 2012 issue of Outdoor Photographer! OP’s Editor gave me this opportunity after telling me that he always considers my images to be among the most authentic and beautiful that he regularly sees. In my article, I offer my advice on what my top processing techniques are and how photographers can use them to make their own images look spectacular. Please let me know if you enjoyed reading it and feel free to add your own suggestions in the comments below.

In other news, my regular readers, friends, fans, etc will probably have noted that I have not been online much in the last 2 months. I spent a wonderful, though, not super productive 3 weeks in Hawaii in February. I was barely home for a week before I flew down to Arizona to give 3 presentations about my Alaska photography at the Tucson, Paradise Valley, and Tempe REIs. (I will be at the San Diego, Portland, and Anchorage REIs in the coming month.) Last week, I moved my family into our gorgeous new house just south of Leschi. It is breathtaking to look out my windows anytime and see Lake Washington, the Cascades, and Mount Rainier. This week, I am finally settling into my new office which has its own separate entrance, new cork floors, furniture, and gallery track lighting. I have some large acrylic face-mounts being made by West Coast Imagining that will adorn my walls for when clients visit. Summer is also coming just around the corner. I have multiple trips planned to Alaska, plus my first trip to Tonga. This fall, I will also be joining a small sailboat expedition to South Georgia Island for 4 weeks. As you can see, I have a lot of exciting things going on and many new images to be created.

Be social and share.

Manatee 5

Manatee 5

Posted on

During my week long visit to Crystal River, I spent close to 36 hours in the water with the mantees. In that amount of time, I was only able to photograph this one moment where a manatee playfully rolled upside down asking me to rub its belly. If I spend enough time with wild animals, eventually I am able to photograph a unique moment or behavior. This beautiful portrait shows how blissful the manatees can be when they are not being pursued by tons of tourists in the water. We should all aspire to exhibit such joy and trust. I created this image using my Canon 5DmkII and 17-40mm f4 lens with a +3 diopter in my Ikelite 5DmkII housing with 8″ dome port. This image is a single exposure which was mostly processed using Aperture 3.0. I also cloned out particles floating in the water using Photoshop CS5.

Be social and share.

Manatee 8

Manatee 8

Posted on

Manatees are so ugly that they are adorable. This picture clearly illustrates that point. I spent hours in the water waiting for a manatee to pose for me like this. Whenever I photograph wild animals, I do not chase after or harass them. I can never force a picture to happen. That is why I wait patiently for them to reveal themselves to me. Eventually, an animal will become comfortable with my presence and I will be able to photograph a beautiful portrait like this. This manatee was actually nibbling on my toes, so it let me know that it was very friendly and curious. With my permit from the USF&WS, I was able to gently drop down to the bottom and allow the manatee to swim right up to my camera. I created this image using my Canon 5DmkII and 17-40mm f4 lens with a +3 diopter in my Ikelite 5DmkII housing with 8″ dome port. This image is a single exposure which was mostly processed using Aperture 3.0. I also cloned out particles floating in the water using Photoshop CS5.

Be social and share.

Manatee 1

Manatee 1

Posted on

I have just returned from photographing West Indian manatees at Crystal River State Park, Florida. It was a very interesting experience. I am usually the only photographer, let alone person, at the wilderness locations that I typically photograph. I knew that was not going to be the case with the rampant manatee exploitation at Crystal River, but I was totally unprepared for how many people, boats, and kayaks were in the water. Fortunately, I bumped into National Geographic photographer Paul Nicklen who gave me a nice referral to the USF&WS so that I could get a special use permit. The permit did not solve my problem of all the people in my pictures harassing the manatees, but it did give me some special access and the ability to sink down to the bottom in order to shoot up towards the surface. My other challenge was giving myself a mild case of hypothermia by spending over 6 hours each day in the 70° water. I could barely hold my camera by the time that I got out of the water. However, through my diligence I was able to photograph some fantastic encounters with curious manatees when no one else was around. This is one of my favorite images from my ordeal. I really like how this manatee posed for me and even put its flippers together as if it were praying. I created this image using my Canon 5DmkII and 17-40mm f4 lens with a +3 diopter in my Ikelite 5DmkII housing with 8″ dome port. This image is a single exposure which was mostly processed using Aperture 3.0. I also cloned out particles floating in the water using Photoshop CS5.

Be social and share.

Ofu Island Coral Over Under 1

Ofu Island Coral Over Under 1

Posted on

I spent much of my visit to the US National Park of American Samoa on Ofu Island photographing over-underwater split images. This is one of my favorites. I like the coral reef with the refracted light dancing across the sandy bottom below with the dramatic scenery and clouds above. There are even a few tropical fish visible in the original, though, I doubt any of my readers will be able to see them at this resolution. Creating an image like this required a lot of trial and error. Waves were constantly washing over the front of my dome, so I had to remove the water drops with a hand towel which I kept underneath a ballcap on my head. I’m glad that I had the whole beach to myself as I must have looked like a dork, but it got the job done. It was also really hot. Most of the Samoans stayed in the shade during the hottest part of the day, but I was out there swimming with my camera under the intense sun getting thoroughly sunburned. But it was fun. I created this image with my Canon 5DmkII and 17-40mm f4 lens with a B+W +2 graduated neutral density filter inside my Aquatech 5DmkII housing with a Aquatech 8″ dome port. This image is a single-exposure which required a minimal amount of processing using Aperture 3 and Photoshop CS5.

Be social and share.