Category: Hana

Most Hana visitors spend a long day driving from one side of Maui to the other along the zig-zagging Hana Highway. However, I recommend that people spend at least 1 night in Hana. The drive is too long and the traffic can be infuriating. (Pull over please, especially if you’re blocking a local!) In general, visitors miss out on the magic of this paradise by only making it a day trip.

The Hana area is best photographed at sunrise, but several afternoons I drove the twisty road to Oheo Gulch in order to photograph the sunset. The gulch is located on the southeast shore of Maui and is part of Haleakala National Park. It is home to the Seven Sacred Pools, a name that was made up to promote the area in the 1940s.

I’d previously visited Oheo Gulch, but had never put any effort into photographing it. While the pools themselves were swarmed with tourists, I focused my camera looking out from the rugged lava shoreline toward the the ocean waves breaking against the black sand beach. As with most ocean wave images, I begin the exposure as a wave recedes. This image was one of the first exposures that I took, which was lucky for me since the later light was a bust. The sunset light in the clouds adds dream-like color to the image, but I am most attracted to the tumultuous wave breaking just off shore. I used a shutter speed of 1/4 second to record movement in the wave, while still being able to freeze enough of the motion to not render it as unrecognizable mush. This image was created using my Canon 5DmkII, Carl Zeiss 28mm f2 ZE lens, and Singh-Ray LB Warming Polarizer & 3-stop Hard Graduated Neutral Density filters on my tripod. It is a single exposure that required minimal processing using Aperture 3.

During my recent trip to Hana, I spent several sunrises photographing Hamoa Beach. Before heading out each morning, I looked out from our rental house toward the lightening eastern horizon and anticipated the sunrise by scrutinizing the dark sky for photogenic clouds. The only sounds were the proverbial early-birds chirping and the ocean breeze rustling the coconut palms. I could not be bothered to wear sandals for the short drive, especially since I would soon feel coarse grains of golden sand between my toes while shooting barefoot in the surf. This magical setting is undoubtedly one of the most South Pacific-like beaches in all of Hawaii. It is backed by a lava hill and ringed by tropical plants and coconut palms. Of course, I had the beach all to myself which allowed me to fully digest its ambience. I know that I can be terribly greedy having my photography locations to myself, but I need that peaceful beauty in order to effectively convey my experiences through my photography. We have enough distractions in our lives, so why should we have to share our adventures with crowds of people?

I initially played it safe by setting my camera up high on the beach to photograph the outgoing waves. This was not the most artistic composition, so I soon found myself compelled into the furious shorebreak with my camera in pursuit of a more dramatic imagery. I placed my tripod in water that was normally only knee deep. This was a safe position most of the time, but occasionally wave sets would almost completely wash over me and my equipment. Keeping my lens and filters dry was a constant struggle. I waited for waves to break before beginning my exposures. I experimented with hundreds of images in order to photograph one where the wave completed the composition I had envisioned. I created this photo with my Canon 5DmkII, Carl Zeiss 35mm f2 ZE lens, and Singh-Ray LB Warming Polarizer and 4-stop Soft Graduated Neutral Density filters. This image is a single exposure which required minimal processing in Aperture 3.

Happy New Year! It’s been almost 4 weeks since my last blog post. Why should I feel so guilty? I needed a break from my online-self and took time off to visit Hawaii with my family. We spent the first week of our trip in the incredibly laid-back town of Hana on the east coast of Maui. This is the fourth time that I have been to Hana, and third time with my family. We rented 2 different homes during our week-long stay. The first was conveniently on Hana Bay, but rustic and gave us bedbugs. The second was just south of town right across from the field that lead down to the majestic Waioka Pool. Everyone in my family agrees that swimming in the pool was the highlight of our memorable trip.

While this was primarily a family vacation where I ignored the internet while taking my daughters swimming and buying them shave-ice, I woke up before them each morning in order to photograph the sunrise. Putting on my swim shorts and a tank top while leaving my sandals at home was not a bad way to start each day. The sweet smell of rotting guavas filled the air as I departed for the short drive to my photography objectives. Since Hana is quiet and remote, I had my choice of the fantastic beaches all to myself. One of my favorites is modest but rugged Koki Beach. This spectacular setting has a tumultuous wave break against the beach backed by a photogenic hill composed of crimson cinders. I attempted to shoot this fantastic scene several mornings during my visit. I was particularly enamored with the lava rocks on the right side of the beach that the waves occasionally washed over. I took some chances with my camera and tripod by setting them up in this surf zone, but knew that the waves draining through these rocks would complete the image I was after. Creating an image like this where moving water becomes an integral part of the picture requires being able to pre-visualize the composition. Of course, the sunrise light and billowing clouds complete the dramatic scene which I consider one of my best photographs from the entire trip. I created this image using my Canon 5DmkII, Canon 17-40mm f4 lens at 20mm, and Singh-Ray 3-stop Hard Graduated Neutral Density filter on my very wet tripod. It is a single exposure that required minimal processing using Aperture 3.