Kuliak Brown Bear 4

Kuliak Brown Bear 4

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My August trip to the outer coast of Katmai National Park was pretty dangerous, but it allowed me to create some unique photos. I took my boat on the ferry from Homer to Kodiak and then used it to cross treacherous Shelikof Strait in order to spend several weeks living with the brown bears. I spent the entire trip as close to brown bears as anyone has ever been. This probably sounds insane to most people, but brown bears are not going to just run up to and eat you for no reason. However, they must be respected at all times. One of the new techniques that I employed was using PocketWizards to remotely trigger my cameras so that I could shoot wide-angle bear images. Guessing where to pre-position my cameras was the challenge, but I got better at it as learned the bear’s routines. While visiting Kuliak Bay, brown bears regularly walked past this location, so I placed one of my cameras on a tripod low to the ground and waited. I remotely triggered the camera whenever a bear walked in front of it. I created this image using my Canon 5DmkII, 17-40mm f4 lens, and Singh-Ray 2-stop Hard GND filter. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

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Grand Bahama Bank Clouds 1

Grand Bahama Bank Clouds 1

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The purpose of my July visit to the Grand Bahama Banks was to swim with wild Atlantic spotted dolphins, but I could not resist photographing the brilliant blue water and tropical storm clouds when we did not have any dolphins around. While the Dolphin Dream was motoring, I carefully braced my camera against the side of the ship at the lowest point that I could stand and took a lot of pictures hoping that trial and error would yield a modestly successful image. I was also hoping that I would get lucky and record a moment with lightning striking the water beneath the tropical storm, but I did not succeed. I also saw my first water spout! I should have shot it right then and there, rather than run back inside the main cabin to let everyone else know, because by the time I got back outside a few moments later it was already gone. I created this image with my Canon 5DmkII, Carl Zeiss 28mm f2 ZE lens, Singh-Ray LB Warming polarizer, and 2-stop Hard Graduated Neutral Density filter. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

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Nellie Juan Glacier Dwarf Fireweed 1

Nellie Juan Glacier Dwarf Fireweed 1

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I photographed this rugged scene while cruising Prince William Sound with my dad in late June. I had scouted Nellie Juan Fjord several days earlier in rainy conditions and observed a few dwarf fireweed blooms high above the tideline on the granite cliffs. In order to get to this location, I woke up well before sunrise, navigated my inflatable boat through hazardous submerged rocks guarding the entrance to the fjord, motored through tons of floating ice, and finally tethered my inflatable to the base of a soaring rock wall. I then scrambled high above the water to get to this precarious perch. Once I was in place, I was fortunate to experience perfect landscape photography conditions with clear sky to the east and a few clouds hovering over the mountains to the west. I created this image with my Canon 5DmkII, 17-40mm f4 lens, Singh-Ray LB Warming polarizer, and 4-stop Soft Graduated Neutral Density filter. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

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Chenega Glacier Calving 4

Chenega Glacier Calving 4

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This past June, my dad and I used my 22′ C-Dory Serenity to cruise Prince William Sound for 8 days. We experienced mostly crappy weather during our trip, but that is typical of coastal Alaska. I was focused on photographing wildflowers near the glaciers, but did not find them in the quantities that I had hoped. So, I turned my attention to photographing the calving tidewater face of the Chenega Glacier which is located in Nassau Fjord south of Whittier. The enormous face of this impressive glacier is several miles wide and over 1000′ tall. Ice is constantly calving off of the face and falling long distances into the water below. Some of these explosions were spectacular to photograph, even though it was incredibly scary being so close. Keep in mind that I anchor Serenity in a protected cove and use my 12′ inflatable to navigate through the ice in order to get close to the glacier. I then drift for hours freezing my butt off waiting for something to happen. These days are filled with monotonous boredom intermixed with brief moments of absolute terror. I would not want to have it any other way. This is one of my favorite images of the ice collapsing into the water. I created this image with my Canon 5DmkII and 70-200mm f2.8 IS lens. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

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Barter Island Polar Bears 35

Barter Island Polar Bears 35

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The young polar bears that I photographed during my recent Polar Bear Photography Tour in Alaska spent a lot of time playing with their siblings both on land and in the Arctic Ocean. Polar bears are considered marine mammals since they spend so much of their lives in and out of the water. They are capable of swimming hundreds of miles when they have to. I really like the way that this young bear looked over its shoulder and right into my lens. I find eye contact like this incredibly compelling. Of course, the nice low angle light was an added bonus. I created this image with a Canon 1DmkIV and my 400mm f4 DO IS lens. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

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Denali Cloudy Sunrise Reflection 1

Denali Cloudy Sunrise Reflection 1

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This is one of my new images from my July visit to Denali National Park. I had a professional photography permit to drive the Wonder Lake Road. I’d had no ambition to photograph Denali as I had already done so in 2005 and 2006 when the weather was horrible. Since it is typically very cloudy, I was mostly planning on photographing wildlife near the road. However, when the weather improved and the clouds parted, I switched my goal back to landscape photography. This tundra pond is one of thousands located near Wonder Lake. This sunrise was gorgeous as alpenglow illuminated the summit at 20,000 feet while the clouds clung to the lower flanks of the mountain. There were a lot of water bugs disturbing the surface of this pond, but otherwise the reflection was as close to perfect as possible. I created this image with my Canon 5DmkII, Carl Zeiss 50mm f1.4 ZE lens, Singh-Ray LB Warming polarizer, and 4-stop Soft Graduated Neutral Density filter. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

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Kukak Brown Bear 10

Kukak Brown Bear 10

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I created this image while visiting Kukak Bay on the Katmai Coast in August. This brown bear was lazily sitting by the edge of a stream waiting for a salmon to swim past. Eventually, it sat up on its hind legs and yawned. When I saw this image on my camera’s LCD screen, I chuckled. I felt bad for the bear, since this was not the most flattering picture, but I doubt that the bear cares. The early morning golden light was an added bonus. I used my Canon 7D and 500mm f4 IS lens to photograph this moment. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

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Barter Island Polar Bears 8

Barter Island Polar Bears 8

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This is another one of my favorite photos from my recent Polar Bear Photography Tour. I was standing next to the boat with my local Inupiat guide when this mom and cub came over to have a closer look at us. We very quickly got back in the boat, but not before I fired off a few pictures at 10fps with the Canon 1DmkIV that I borrowed from Canon Professional Services. The light was absolutely spectacular and for a moment these bears walked side by side allowing me to create this striking image. I hand-held the camera with my Canon 400mm f4 DO IS lens attached and used a right-angle view finder to get the camera as close to the ground as possible while kneeling. It is a single-exposure which was slightly cropped from the original and required minimal processing using Aperture 3 and Photoshop CS5.

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Atlantic Spotted Dolphin 9

Atlantic Spotted Dolphin 9

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This is another one of my favorite images from July when I spent 6 days on board the Dolphin Dream photographing Atlantic spotted dolphins in the Bahamas. The trip exceeded my expectations and I was incredibly fortunate to have so many wonderful encounters with the dolphins. I’m sure that all of my non-underwater photography friends can appreciate the beauty of this image, but I cannot state emphatically enough how hard it is to create an underwater image like this. Swimming as hard as I can, I am usually totally out of breath by the time I am in the right spot. Before I can dive beneath the surface to take a picture, I have to grab one last breath of air. Once I am underwater, I then hope that a dolphin swims close enough to me to photograph with my wide-angle lens. Most of the time, the image doesn’t happen, but in this case everything came together. I like this image because of the dolphins reflection on the surface. I used my Canon 5dmkII and 17-40mm f4 lens with a +3 diopter in my Ikelite 5DmkII housing with 8″ dome port. This image required a bit of processing to remove the cyan cast of the water using Aperture 3.0 and Photoshop CS5.

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Kukak Brown Bear 1

Kukak Brown Bear 1

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At the end of August, I embarked on a dangerous expedition to the Katmai Coast to photograph brown bears. The trip required my friend Paul Souders & I to depart from Kodiak and cross the always treacherous Shelikof Strait using my 22′ C-Dory. There are safer and more expensive ways to visit the Katmai Coast, but none of these options would have allowed us to spend as much time so intimately with the bears. To say that I was scared when we entered the open ocean in less than ideal conditions is an understatement. However, we successfully motored across to our first destination, the spectacular Kukak Bay. After we anchored, we immediately set out for shore to walk amongst the bears. I’ve been around my fair share of bears, but nothing quite prepared me for spending the first day amongst them at such close range. I do not advise people to be foolhardy and run up to brown bears, but they are also not going to attack and eat you under most situations. For instance, this beautiful bore was waiting for a salmon and nonchalantly watched us as we set up our cameras and moved in close enough to take his picture. He drifted in and out of sleep as we observed him for several hours. I’ll share some images soon where he rolled on to his back and stretched, but this low and tight portrait is my favorite. In order to render the distant background pleasantly out-of-focus, I laid on the ground on my stomach to get as low as possible with my Canon 7D and 500mm f4 IS lens. I then waited for him to look straight into my lens whenever he opened his eyes. This image is a single-exposure which required minimal processing using Aperture 3 and Photoshop CS5.

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