Vava'u Humpback Whale Calf 3

Vava’u Humpback Whale Calf 3

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Recently, I have been rethinking my workflow and processing techniques. I am not talking about a total overhaul of the way that I edit, but rather becoming more efficient and effective. Processing underwater images requires much more effort than above water images, particularly if I want a gray whale swimming through a blue background. For this reason, I have been holding off on editing my new underwater humpback whale images until now.

Tony Wu and I co-lead an exciting Humpback Whale Photography Tour in both Alaska and Tonga last summer. This beautiful portrait is from our first encounter with a friendly mother and calf in Tonga. Momma was resting about 20′ below the surface as the curious calf swam over to check me out and pretty much ran me over. We did not actually make contact, but if I would have extended my arm bent at the elbow I would have been able to touch it. I created this image using my Canon 5DmkIII and Canon 17-40mm f4 lens inside my Ikelite 5DmkIII housing with an 8″ dome port. I processed the RAW file using Aperture 3 and Photoshop CS6, plus I applied Nik Color Efex 4‘s white balance filter.

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Humpback Whale Breach 200

Humpback Whale Breach 200

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I’m finally home long enough to start editing my images from the last 6 months. Dang, have I been busy and time flies. This is my favorite image that I photographed while co-leading the Alaska portion of Tony Wu and my dual hemisphere Humpback Whale Tour last summer. See how sunny and perfect the conditions were? I kept telling our clients that the weather never got this nice in Southeast. It was an ideal day to spend with a large group of humpback whales that were bubble-net feeding. As this glorious day progressed, the whales stopped feeding and did what whales do best. Absolutely nothing! However, we decided to work on our tans and patiently stay with the whales hoping that they might do something. Eventually, they all started to breach at the same time. It was insane watching all of these enormous animals launch themselves out of the water, let alone positioning the skiff so that everyone could photograph this behavior. I love how the water cascaded off of this whale, plus there is a small rainbow behind it from its blow. I’ve seen this multiple breaching behavior happen enough times to consider that it is some kind of goodbye gesture. Sure enough, after all this breaching was over, the whales swam off in separate directions. I created this image using a Canon 1DmkIV with my 70-200mm f2.8 IS II lens and processed the RAW file using Aperture 3 and Photoshop CS6.

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Tiger Shark 100

Tiger Shark 100

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I have just returned from an incredible week scuba diving with Jim Abernathy’s Scuba Adventures. The goal of the trip was to get as close to sharks in their natural environment as possible. The sharks did not disappoint, but unfortunately the cloudy weather last week in the Bahamas was not as ideal for underwater photography as I would have liked. Most people probably do not consider being surrounded by 50+ lemon and Caribbean reef sharks, as well as a few tiger sharks to be a good time. However, let me assure everyone that diving with sharks is not something to fear, let alone regard as a death wish.

Sharks are beautiful creatures that are being rapidly exterminated from our world’s oceans, almost exclusively because of the shark fin trade in Asia. Cutting the fins off of a shark and throwing the still live animal back in the ocean to die is a cruel and wasteful practice that I can only hope will eventually be stopped while there are still enough sharks remaining. I realize that most people reading this have probably never even considered eating shark fin soup, but too many people still consider it a status simple. Hopefully, my beautiful portrait of this curious tiger shark will encourage a few people to learn more about this despicable practice or even consider supporting environmental groups working to save sharks.

During my week long trip aboard the M/V Shearwater, I spent from 4 to 6 hours each day underwater photographing sharks. Though I was constantly surrounded by dozens of sharks, I was most interested in the larger and potentially more dangerous tiger sharks. Jim constantly reinforced that we could ignore the smaller sharks but needed to remain hyper-vigilant for tigers. Jim’s mantra was, “If you get bit by a tiger shark, you are going to bleed out and die!” As soon as we saw a tiger, we were supposed to point at it for the benefit of the other divers and not take our eyes off of it. It was amazing that a few of the European divers did not take this to heart and were sneeked up on more the once.

This is my favorite image from the trip. This photo is of one of the few tiger sharks that came curiously close enough to actually bump the front of my dome port. In order to get low enough to photograph this shark, I had to lay down on my stomach on the bottom right as the shark swam up to me. Most of the time, it was difficult to exclude the other divers, sharks, and fish from the image, but this encounter happened when Jim and I were the only 2 divers in the water. This was a much more “authentic” experience than my other dives with divers next to me. It also helped the underwater visibility, since no one was kicking up the bottom. I really like how this tiger shark swam straight towards me and then gave me just the right amount of a “smile”. I created this image using my Canon 5DmkIII and Canon 17-40mm f4 lens with a B+W +3 diopter inside my Ikelite 5DmkIII housing with an 8″ dome port and dual DS160 strobes. I processed the RAW file using Aperture 3 and Photoshop CS6, plus used Nik Software’s Dfine 2.0 to remove noise & Color Efex 4‘s white balance filter. I also cloned out the backscatter from my strobes and a few smaller fish that were distracting in the background.

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Barter Island Polar Bears 100

Barter Island Polar Bears 100

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I love this picture of a polar bear mother with her two cubs! I took it last October while co-leading my Polar Bear Photography Tour in Alaska with Steve Kazlowski. It is a lot of fun helping clients photograph polar bears, especially when the bears are kind enough to pose for us right when the light momentarily breaks through the clouds at sunset. I think that this light only lasted for about 4 minutes. I’m looking forward to returning to Barter Island to lead another tour this October. Who wants to join me? I created this image with my Canon 5DmkIII, Canon 300mm f2.8 IS II lens, and Canon 1.4X tele-extender and processed the RAW file using Aperture 3 and Photoshop CS6.

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Kaktovik Sunrise Abstract 1

Kaktovik Sunrise Abstract 1

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I got to travel with my client-friend Bryn Forbes in Alaska and Tonga this summer. Though the purpose of the trips were to photograph humpback whales, Bryn spent a lot of time shooting motion blur abstracts. We all gave him a hard time about it, but he motivated me to try shooting some myself during my later adventures.

I created this image while co-leading my Polar Bear Photography Tour with Steve Kazlowski in October. We drove our clients out to the bone-bile to photograph the polar bears at sunrise, but there was only one and it was not doing much, so we took advantage of this amazing light to shoot landscape images instead. I forgot to bring my tripod, so I decided to experiment and shoot a bunch of motion blur abstracts over the Arctic Ocean. I think everyone thought that I was just as crazy (as we all thought Bryn was on my earlier trips) until they saw my results. I created this images with my Canon 5DmkIII and 300mm f2.8 IS II lens and processed the RAW file using Aperture 3 and Photoshop CS6.

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Vava'u Humpback Whale Breach 1

Vava’u Humpback Whale Breach 1

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I love photographing humpback whale breaches. It is one of the most rewarding, but frustrating ways to use a camera. First, I have to be lucky enough to even see a humpback breach. At this point in my whale watching career, I am guessing that I have probably witnessed close to 1000 breaches. Even if I see a whale leap out of the water, that does not mean that I can photograph it. The only hope I have of getting a shot is to have a whale(s) start breaching multiple times. Next, I have to be able to close the distance so that when the whale breaches I am close enough to fill the frame. Keep in mind that I am trying to do all this while moving around on a boat that I am either piloting myself, or in the case of this image just a passenger. Finally, the stars need to align properly as my spider-sense tingles for me to be able to point my camera in the right direction at the moment that the whale begins to breach. Don’t even get me started on whether my camera’s autofocus works properly or not. I photographed this spectacular breach while co-leading the Tonga portion of Tony Wu and my Megaptera Mania Tour this past August. I created this image using my Canon 7D and 70-200mm f2.8 IS II lens and processed the RAW file using Aperture 3 and Photoshop CS6.

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Salisbury Plain King Penguins 11

Salisbury Plain King Penguins 11

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This is a photo is of juvenile king penguin chicks, which are also called “Oakum boys”. I created it while visiting Salisbury Plain on South Georgia Island in October 2012. My senses were completely over-loaded by the smells, sounds, and scale of the king penguin colony containing several hundred thousand penguins, as well as the grandeur of the landscape. It really is one of the most spectacular settings on Earth. These juveniles were very curious about me, mostly because they were getting hungry and must have thought that I looked enough like mom or dad that maybe I would offer them a free meal. I was focused on getting “the shot”, but it was hard while doubled-over laughing at the hilarious antics of the penguins hopping around, flapping their wings, and running into each other. I created this image using my Canon 5DmkIII, Canon 17-40mm f4 lens, Singh-Ray LB Warming polarizer & 2-stop Hard Graduated Neutral Density filter, and processed the RAW file using Aperture 3, Photoshop CS6, plus Nik Software’s Dfine 2.0 to remove noise & Color Efex 4‘s white balance filter.

Also, check out this image published in The Guardian.

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Salisbury Plain King Penguins 2

Salisbury Plain King Penguins 2

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Aren’t these king penguins just adorable? I can not adequately describe how mind-blowing my visit was to Salisbury Plain during my South Georgia Island expedition this past October. After spending a week sailing in horrendous seas with terrible weather, I had finally arrived at my dream photography destination. Upon landing, most of the king penguins were somewhat skittish, but these guys walked right up to greet me! Oh, boy. It was cold, too. However, the fresh snow on the normally rocky beach helped make this already dramatic scene even more photogenic. In order to photograph this spectacle, I got down on my knees and used a wide-angle lens as these curious penguins inspected me. I created this image using my Canon 5DmkIII, Canon 17-40mm f4 lens, Singh-Ray LB Warming polarizer & 2-stop Hard Graduated Neutral Density filter, and processed the RAW file using Aperture 3, Photoshop CS6, plus Nik Software’s Dfine 2.0 to remove noise & Color Efex 4‘s white balance filter.

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Ha'apai Humpback Whale Breach 3

Ha’apai Humpback Whale Breach 3

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Now that my new website is online, I am excited to start sharing my spectacular new images from my adventures during the second half of 2012!

In July and August, Tony Wu and I co-lead our first Megaptera Mania Tour with 6 wonderful clients. After the Tonga portion of tour was over, I spent a second week whale watching with just 2 of our clients. (I should mention that anyone who travels with me for any length of time also becomes a close friend.) This humpback whale calf seemingly levitating is my most interesting image. See the humpback whale photos gallery for more spectacular images!

We spent the better part of the morning following this mother, calf, and escort. They basically did nothing for hours, but we stayed with them because there weren’t a lot of other whale options around at the time. However, we could sense that something was going to happen, and eventually the 3 whales exploded from the water in what can only be described as a goodbye greeting to each other. This breaching behavior lasted for about 15 minutes, during which we frantically tried to point our cameras in the right direction as they continuously erupted from the water. After the whales settled down, I was flabbergasted to discover this breaching calf photo while reviewing my images. Incredible! I created this image using my Canon 7D and 70-200mm f2.8 IS II lens and processed the RAW file using Aperture 3 and Photoshop CS6. The original image was a little tight on the right side, but since it was just empty background I slightly expanded it to allow for more space.

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Denali Sunset Virga Reflection

Denali Sunset Virga Reflection

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I’m kind of looking forward to heading back to Alaska next week. I say kind of because of the terrible June weather we have had here in the Pacific Northwest. I’m sure that it will be quite similar during most of July in Alaska which is kind of depressing. Oh, well. That is the price to pay for beautiful images in the 49th state. As I have recently finished editing my backlog of photos, I rediscovered this spectacular sunset image from my visit to Denali National Park last July. I had a professional photographer’s permit which allowed me to drive the Wonder Lake Road in my own vehicle for 9 days. It was an amazing experience that allowed me to create some fantastic wildlife and landscape images. The beautiful sunset light illuminating the virga in the distance caught me by surprise. I quickly jumped out of the van and ran down to this tundra pond next to the side of the road. It’s moments like this that I need to be confident in my abilities to set up my camera very quickly and efficiently.

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