Today, I was supposed to be flying to Australia for the first time to visit Lord Howe Island. Unfortunately, I broke my left little toe last Friday and can barely walk. So, instead I now find myself at home for a few extra weeks with plenty of neglected work to get caught up on.
One of my humpback whale images from Alaska is published in the current issue of Ranger Rick. My image is the smaller inset in the bottom right. I was delighted to see that my friend and photography tour partner Tony Wu‘s underwater image was the main double page spread. Congrats, Tony! It is admirable that in this current age of everyone being a photographer and the competitive nature of the business that the two of us have worked together so effectively for almost a decade. I look forward to our next 10 years of adventures and friendship.
I am excited to share that I have the cover photo on this month’s issue of Scuba Diving! I photographed this humpback whale calf while visiting Tonga in August 2012. It was especially playful and pretty much swam right over me while I was snorkeling next to it. I created this image using my Canon 5DmkIII and 17-40mm f4 lens inside my Ikelite 5DmkIII housing. I processed the RAW file using Aperture 3 and Photoshop CC, plus Nik Software’s Color Efex 4‘s white balance filter.
I want to share another recent cover that features one of my humpback whale images. I photographed this dramatic breach while in Tonga last year. My friends and clients often joke with me that I should publish a book just on breaching humpback whales since I have been fortunate to be able to frequently photograph this extraordinary behavior.
I recently made some progress on editing my backlog of humpback whale images from Tonga last year and thought that this one was worth sharing. I was very lucky to be able to spend 90 minutes photographing this very relaxed mother-calf pair. They spent most of the time calmly resting on the surface during which the calf moved around a lot and curiously check me out. This was an amazing experience, which is why I can’t wait to return to Tonga in 2014 to lead a few week-long tours in search of more encounters like this. I created this image using my Canon 5DmkIII and 17-40mm f4 lens inside my Ikelite 5DmkIII housing. I processed the RAW file using Aperture 3 and Photoshop CS6, plus Nik Software’s Color Efex 4‘s white balance filter.
I’ve been meaning to share this news for the last few weeks, but have been so busy that I am only now getting around to it. One of my underwater humpback whale images from Tonga was published on the cover of China’s Digital Camera May 2013 issue! This was the first time that I have worked with this magazine, but I hope to continue building upon this new relationship in the year ahead.
If I could do one thing every day for the rest of my life, it would be to go out on the water to photograph whales for the day. They are simply the most amazing creatures that I am fortunate to regularly photograph. My favorite images of humpback whales are created when they breach. This behavior is an impressive display of emotion and power. You can see my entire gallery of photos of humpback whales breaching. Two of the things that make my breaching pictures stand out are; I shoot from small boats, close to the water so that the whale erupts above the horizon and I am close enough to my subject to use my 70-200mm lens. This image is a good example of utilizing the lowest point on the boat, as well as being taken at 70mm. During the Tonga portion of my 2012 Humpback Whale Tour, this whale repeatedly breached so close to the boat that I probably should have utilized a slightly wider lens. Incredible! I created this image using my Canon 7D and 70-200mm f2.8 IS II lens, and processed the RAW file using Aperture 3 and Photoshop CS6.
This week, I am going to share several images of baby animals that I have photographed during my recent trips, starting with this gregarious humpback whale calf in Tonga. While I was snorkeling on the surface, this calf swam right underneath me while its mom patiently watched below. I really like the arching position of the calf’s body and pectoral fins, as well as the eye contact that the calf made with me. In order to photograph an image like this, I have to spend a lot of time searching for friendly whales and be comfortable swimming in the open ocean with my camera. Most of my best pictures were taken at 17mm, which is a very close encounter. I created this image using my Canon 5DmkIII and Canon 17-40mm f4 lens inside my Ikelite 5DmkIII housing with an 8″ dome port. I processed the RAW file using Aperture 3 and Photoshop CS6, plus I applied Nik Color Efex 4‘s White Neutralizer filter. Check out my photo gallery for more humpback whale photos underwater, of breaches, tails, spouting and bubble-net feeding.
This is a photo of a tender moment being shared by a humpback whale mother and her young calf. Humpback moms spend most of their time resting beneath the surface, but their babies have to breath much more frequently. When a calf comes up to breath, it will often playfully frolic on the surface, otherwise, it stays close to mom and hides underneath her pectoral fins or tail. After this calf came up for a breath, I photographed it gently nuzzling up against its mom’s belly. Aww, cute! Check out several more stunning images of these two humpback whales underwater. I created this image using my Canon 5DmkIII and Canon 17-40mm f4 lens inside my Ikelite 5DmkIII housing with an 8″ dome port. I processed the RAW file using Aperture 3 and Photoshop CS6, plus I applied Nik Color Efex 4‘s White Neutralizer filter.
Recently, I have been rethinking my workflow and processing techniques. I am not talking about a total overhaul of the way that I edit, but rather becoming more efficient and effective. Processing underwater images requires much more effort than above water images, particularly if I want a gray whale swimming through a blue background. For this reason, I have been holding off on editing my new underwater humpback whale images until now.
Tony Wu and I co-lead an exciting Humpback Whale Photography Tour in both Alaska and Tonga last summer. This beautiful portrait is from our first encounter with a friendly mother and calf in Tonga. Momma was resting about 20′ below the surface as the curious calf swam over to check me out and pretty much ran me over. We did not actually make contact, but if I would have extended my arm bent at the elbow I would have been able to touch it. I created this image using my Canon 5DmkIII and Canon 17-40mm f4 lens inside my Ikelite 5DmkIII housing with an 8″ dome port. I processed the RAW file using Aperture 3 and Photoshop CS6, plus I applied Nik Color Efex 4‘s white balance filter.
I love photographing humpback whale breaches. It is one of the most rewarding, but frustrating ways to use a camera. First, I have to be lucky enough to even see a humpback breach. At this point in my whale watching career, I am guessing that I have probably witnessed close to 1000 breaches. Even if I see a whale leap out of the water, that does not mean that I can photograph it. The only hope I have of getting a shot is to have a whale(s) start breaching multiple times. Next, I have to be able to close the distance so that when the whale breaches I am close enough to fill the frame. Keep in mind that I am trying to do all this while moving around on a boat that I am either piloting myself, or in the case of this image just a passenger. Finally, the stars need to align properly as my spider-sense tingles for me to be able to point my camera in the right direction at the moment that the whale begins to breach. Don’t even get me started on whether my camera’s autofocus works properly or not. I photographed this spectacular breach while co-leading the Tonga portion of Tony Wu and my Megaptera Mania Tour this past August. I created this image using my Canon 7D and 70-200mm f2.8 IS II lens and processed the RAW file using Aperture 3 and Photoshop CS6.